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The regional tags are often pejorative and dismissive. Don't think of place-bound stories, in other words, but of stories with a strong sense of place.
John Dufresne
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John Dufresne
Age: 76
Born: 1948
Born: January 30
Author
Novelist
Screenwriter
Worcester
Massachusetts
Thinking
Bounds
Words
Often
Pejorative
Strong
Dismissive
Sense
Tags
Place
Tag
Stories
Regional
Think
Bound
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We all sleep with the corpses of our dead lovers.
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I sat around the kitchen every Sunday afternoon listening to my mother and aunts talk about the people in the neighborhood. Gossip - I loved it. And that turns out to be the writer's job: to attend to the gossip and spread it as far as you can.
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A lack of narrative structure, as you know, will cause anxiety.
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Love is anticipation and memory, uncertainty and longing. It’s unreasonable, of course. Nothing begins with so much excitement and hope and pleasure as love, except maybe writing a story. And nothing fails as often, except writing stories. And like a story, love must be troubled to be interesting.
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The landscape of childhood shapes us as it shapes the characters in our stories. You never forget the sacred places of your childhood.
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I learned to love stories by listening to them.
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As a writer you can and should expect to hear conflicting responses to your story.
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What you create when you're teaching fiction writing is a kind of literary salon, not a social club or a mutual admiration society, not a debating society, not a repair shop, not a fight club or a soap box. It's a place to have a conversation about a story.
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Actually, my first literary heroes were the Romantic poets, so I began to get serious by writing poems. I have notebooks full of them that I cherish but am afraid to look at.
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In revision, your imagination becomes deeply engaged with your material. It's when you come to know your characters and begin to perceive their motivations and values.
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The purpose of the first draft is not to get it right, but to get it written.
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Place is character. And all writing is regional.
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With each draft, the work gets better, and usually that means tighter. It means getting the precise word, not the approximate word.
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The facts, however, are unimportant in fiction. It's not the events of my life that I mine, but the emotional experiences I've had.
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I was always writing. I just didn't know if I was any good.
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Every act of loving affirms the goodness of the lover just because he is capable of loving and being loved.
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There were the fairy tales my father told to me at bedtime. All the standards. I thought my father invented wolves.
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At the heart of all good fiction and at the heart of all good gossip is the same thing: trouble.
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