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May we all emerge from winter with our strength renewed and any unwanted pieces left under the ice.

John Darnielle

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John Darnielle
Age: 57
Born: 1967
Born: March 16
Composer
Musician
Singer-Songwriter
Bloomington
Indiana
Pieces
Left
May
Renewed
Unwanted
Emerge
Ice
Winter
Strength

More quotes by John Darnielle

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Anything that is within you is a gift. To be able to take possession of that and say, Whatever it is, I am bigger than it, is to learn to cherish even the hard and painful things.
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You always feel like your 18-year-old self in some sense. And that's what walking through New York on a June evening feels like - you feel like it's Friday and you're 17 years old.
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Adulthood is interesting to adults. But I would never want to write about stuff I dont feel everybody can connect to.
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I usually kind of can't wait until my records leak. Back in the day, you could give people tapes, but you can't do that anymore, because it would be available to everyone on the planet within an hour.
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It makes me envious of anybody who can say truly that they don't care what anybody thinks of what they do, because I care a lot about the people who like my stuff.
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The reality of having a kid involves day-to-day practicality - not broader philosophical outlooks.
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It's easy to follow national politics and weigh in on social media, but if I'm tweeting stuff about Chatham County, no one cares.
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Not everybody relates to pain, but if you can watch other people playacting it, you can absorb some of that vibe. It's like watching horror movies - you want to have the experience, but in a safe environment.
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People talk about songwriting or comedy as creative expression, but life is creative expression. Table-making, even nursing, is extraordinarily creative.
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In wrestling, people just throw each other around, possibly actually bleed, and are still friends in the locker room afterwards. But there's a real glee - a feeling goes up in the arena, especially on non-TV days. If it's just people in a room and somebody starts to bleed, that's very exciting.
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There's this idea that there was a point in our childhood when we were in some way better than we are now and we should try to hang on to that.
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I'm not really a goal-oriented guy. I started doing the Mountain Goats just for the sheer hell of it.
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I make up stories that take place in real space with real people. If I could convert this into a technique for experimental novels, I might really be onto something.
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There are stylists I really love. I'm a huge Joan Didion fan - if I wrote something that she might like, then I'd feel very proud. I want the action to move as quickly as it does in A Book of Common Prayer, where one thing bonks right into another very quickly.
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I get nostalgic about having lived in Ames, Iowa, even though being a vegetarian in Iowa is not fun.
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If you're standing in the middle of a ring and you're playing the villain, and everyone is booing and throwing things at you, that's real.
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It usually happens that I have multiple different projects going on at once, and one can be referencing the other.
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I suspect by the time the Beatles were writing the White Album, they didn't go, 'I Wanna Hold Your Hand!' I wanna play that! It's like if somebody asked you to put on the clothes you wore in high school. Well, no. No!
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You should avoid seeing too much of yourself anywhere: in the outside world, in others, in the imagined worlds that give you shelter.
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I don't like to say, Oh, I don't like this kind of music. I like to listen to it and try to see what people who like it get out of it.
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