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I do not consider myself at work unless I am before a six-foot canvas.

John Constable

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John Constable
Age: 60 †
Born: 1776
Born: June 11
Died: 1837
Died: March 31
Landscape Painter
Painter
East Bergholt
Suffolk
Dzhon Konsteblʹ
Dzhon Konstabŭl
R. A. John Constable
Kʻang-ssŭ-tʻê-pu-êrh
J. Constable R.A.
Constable
J. Constable
R.A. Constable
Jn. Constable
John Constable R. A.
John Constable R.A.
Feet
Work
Canvas
Foot
Six
Consider
Unless

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Speaking to a lawyer about pictures is something like talking to a butcher about humanity.
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I never saw an ugly thing in my life: for let the form of an object be what it may - light, shade, and perspective will always make it beautiful.
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An artist who is self-taught is taught by a very ignorant person indeed.
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Painting is with me but another word for feeling.
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Verse is a mechanism by which we can create interpretative illusions suggesting profoundities of response and understanding which far exceed the engagement or research of the writer.
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I am anxious that the world should be inclined to look to painters for information about painting.
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When we speak of the perfection of art, we must recollect what the materials are with which a painter contends with nature. For the light of the sun he has but patent yellow and white lead - for the darkest shade, umber or soot.
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I know very well what I am about and that my skies have not been neglected, though they often failed in execution - and often no doubt from over anxiety about them.
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Light - dews - breezes - bloom - and freshness not one of which... has yet been perfected on the canvas of any painter in the world.
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My canvas soothes me into forgetfulness of the scene of turmoil and folly - and worse - of the scene around me. Every gleam of sunshine is blighted to me in the art at least. Can it therefore be wondered at that I paint continual storms? Tempest o'er tempest roll'd - still the darkness is majestic.
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I don't mind parting with the corn, but not with the field in which it was raised.
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When I sit down to make a sketch from nature, the first thing I try to do is to forget that I have ever seen a picture.
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We must bear in recollection that the sentiment of the picture is that of solemnity, not gaiety & nothing garish, but the contrary - yet it must be bright, clear, alive fresh, and all the front seen.
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It will be difficult to name a class of landscape in which the sky is not the key note, the standard of scale, and the chief organ of sentiment.
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It is always my endeavour however in making a picture that it should be without a companion in the world. At least such should be a painters ambition.
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The climax of absurdity to which art may be carried when led away from nature by fashion, may be best seen in the works of Boucher.
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Constable himself knew the value of such studies, for he rarely parted with them. He used to say of his studies and pictures that he had no objection to part with the corn, but not with the field that grew it.
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Only think that I am now writing in a room full of Claudes... almost of the summit of my earthly ambitions.
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I paint by all the daylight we have and that is little enough, less perhaps than you have by much... imagine to yourself how a purl must look through a burnt glass.
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The output is far from smooth, and the impact on dispatchable plant required to deal with residual demand is highly significant. Our view is that plant operating under these conditions in the support role for wind will suffer: 1) reduced availability, 2) significantly reduced efficiency, and thus 3) higher emissions per MWh generated.
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