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I don't mind parting with the corn, but not with the field in which it was raised.

John Constable

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John Constable
Age: 60 †
Born: 1776
Born: June 11
Died: 1837
Died: March 31
Landscape Painter
Painter
East Bergholt
Suffolk
Dzhon Konsteblʹ
Dzhon Konstabŭl
R. A. John Constable
Kʻang-ssŭ-tʻê-pu-êrh
J. Constable R.A.
Constable
J. Constable
R.A. Constable
Jn. Constable
John Constable R. A.
John Constable R.A.
Mind
Parting
Corn
Commerce
Field
Raised
Fields

More quotes by John Constable

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Light - dews - breezes - bloom - and freshness not one of which... has yet been perfected on the canvas of any painter in the world.
John Constable
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The climax of absurdity to which art may be carried when led away from nature by fashion, may be best seen in the works of Boucher.
John Constable
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It is always my endeavour however in making a picture that it should be without a companion in the world. At least such should be a painters ambition.
John Constable
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I know very well what I am about and that my skies have not been neglected, though they often failed in execution - and often no doubt from over anxiety about them.
John Constable
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The sky is the source of light in Nature and it governs everything.
John Constable
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Constable himself knew the value of such studies, for he rarely parted with them. He used to say of his studies and pictures that he had no objection to part with the corn, but not with the field that grew it.
John Constable
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I never saw an ugly thing in my life: for let the form of an object be what it may - light, shade, and perspective will always make it beautiful.
John Constable
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When I sit down to make a sketch from nature, the first thing I try to do is to forget that I have ever seen a picture.
John Constable
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When we speak of the perfection of art, we must recollect what the materials are with which a painter contends with nature. For the light of the sun he has but patent yellow and white lead - for the darkest shade, umber or soot.
John Constable
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Verse is a mechanism by which we can create interpretative illusions suggesting profoundities of response and understanding which far exceed the engagement or research of the writer.
John Constable
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Only think that I am now writing in a room full of Claudes... almost of the summit of my earthly ambitions.
John Constable
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It is the soul that sees the outward eyes Present the object, but the Mind descries. We see nothing till we truly understand it.
John Constable
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But You know Landscape is my mistress - 'tis to her that I look for fame - and all that the warmth of the imagination renders dear to Man.
John Constable
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We must bear in recollection that the sentiment of the picture is that of solemnity, not gaiety & nothing garish, but the contrary - yet it must be bright, clear, alive fresh, and all the front seen.
John Constable
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Painting is with me but another word for feeling.
John Constable
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I paint by all the daylight we have and that is little enough, less perhaps than you have by much... imagine to yourself how a purl must look through a burnt glass.
John Constable
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My canvas soothes me into forgetfulness of the scene of turmoil and folly - and worse - of the scene around me. Every gleam of sunshine is blighted to me in the art at least. Can it therefore be wondered at that I paint continual storms? Tempest o'er tempest roll'd - still the darkness is majestic.
John Constable
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I do not consider myself at work unless I am before a six-foot canvas.
John Constable
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Speaking to a lawyer about pictures is something like talking to a butcher about humanity.
John Constable
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Connoisseurs think the art is already done.
John Constable