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The world is wide no two days are alike, nor even two hours neither were there ever two leaves of a tree alike since the creation of the world and the genuine productions of art, like those of nature, are all distinct from one another.

John Constable

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John Constable
Age: 60 †
Born: 1776
Born: June 11
Died: 1837
Died: March 31
Landscape Painter
Painter
East Bergholt
Suffolk
Dzhon Konsteblʹ
Dzhon Konstabŭl
R. A. John Constable
Kʻang-ssŭ-tʻê-pu-êrh
J. Constable R.A.
Constable
J. Constable
R.A. Constable
Jn. Constable
John Constable R. A.
John Constable R.A.
Art
Wide
Another
Neither
Nature
Summer
Distinct
Two
Creation
June
Ever
Tree
Alike
Even
Days
Productions
Like
Since
Leaves
World
Hours
Genuine

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The output is far from smooth, and the impact on dispatchable plant required to deal with residual demand is highly significant. Our view is that plant operating under these conditions in the support role for wind will suffer: 1) reduced availability, 2) significantly reduced efficiency, and thus 3) higher emissions per MWh generated.
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Only think that I am now writing in a room full of Claudes... almost of the summit of my earthly ambitions.
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I do not consider myself at work unless I am before a six-foot canvas.
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It is the soul that sees the outward eyes Present the object, but the Mind descries. We see nothing till we truly understand it.
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Speaking to a lawyer about pictures is something like talking to a butcher about humanity.
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I paint by all the daylight we have and that is little enough, less perhaps than you have by much... imagine to yourself how a purl must look through a burnt glass.
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Light - dews - breezes - bloom - and freshness not one of which... has yet been perfected on the canvas of any painter in the world.
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I know very well what I am about and that my skies have not been neglected, though they often failed in execution - and often no doubt from over anxiety about them.
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Verse is a mechanism by which we can create interpretative illusions suggesting profoundities of response and understanding which far exceed the engagement or research of the writer.
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It will be difficult to name a class of landscape in which the sky is not the key note, the standard of scale, and the chief organ of sentiment.
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Constable himself knew the value of such studies, for he rarely parted with them. He used to say of his studies and pictures that he had no objection to part with the corn, but not with the field that grew it.
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The sky is the source of light in Nature and it governs everything.
John Constable
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I don't mind parting with the corn, but not with the field in which it was raised.
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The climax of absurdity to which art may be carried when led away from nature by fashion, may be best seen in the works of Boucher.
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We must bear in recollection that the sentiment of the picture is that of solemnity, not gaiety & nothing garish, but the contrary - yet it must be bright, clear, alive fresh, and all the front seen.
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My canvas soothes me into forgetfulness of the scene of turmoil and folly - and worse - of the scene around me. Every gleam of sunshine is blighted to me in the art at least. Can it therefore be wondered at that I paint continual storms? Tempest o'er tempest roll'd - still the darkness is majestic.
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I never saw an ugly thing in my life: for let the form of an object be what it may - light, shade, and perspective will always make it beautiful.
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An artist who is self-taught is taught by a very ignorant person indeed.
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Painting is with me but another word for feeling.
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When I sit down to make a sketch from nature, the first thing I try to do is to forget that I have ever seen a picture.
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