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I could take an umbrella and balance it on my chin or on my foot. And I just got interested in that kind of thing. And as I played games more and more and got stronger physically, I just became more coordinated.

John Cleese

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John Cleese
Age: 85
Born: 1939
Born: October 27
Actor
Autobiographer
Comedian
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Voice Actor
Writer
Weston-super-Mare
Somerset
John Marwood Cleese
Balance
Chins
Feet
Umbrella
Games
Physically
Take
Foot
Thing
Played
Kind
Stronger
Became
Coordinated
Interested
Chin

More quotes by John Cleese

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Although I had good hand-eye coordination, I was so tall and skinny and muscularly weak that I just was not well coordinated. But what I started to do quite early on was watch some of the great old silent comedians, like Laurel and Hardy and Chaplin, and then later on Harold Lloyd and Buster Keaton.
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I have several times made a poor choice by avoiding a necessary confrontation.
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When people quote sketches to me, half the time I don't know what they're talking about so I have to sort of go, aha, yes, oh yep, I remember that and lie my way out of it.
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The Americans are so much more positive. They are much more in love with success. In Britain, they're a fairly envious bunch, and they love it if you fail.
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I'm not sure what's going on in Britain. I don't know what's going on in London. Because London is no longer an English city, and that's how they got the Olympics. I mean, they said, We're the most cosmopolitan city on Earth, but it doesn't feel English.
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The British fans are liable to suddenly be talking to you about something that you don't know how you got into the conversation. I think it's something to do with the fact that they've been watching you for so many years sort of you telling your story.
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My mum died about three years ago at the age of 101, and just towards the end, as she began to run out of energy, she did actually stop trying to tell me what to do most of the time.
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You have to create boundaries of space and then you have to create boundaries of time.
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I can never do better than 'Fawlty Towers,' whatever I do. Now I very much want to teach young talent some rules of the game.
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Everything in comedy's got to be exactly right, which is why making a comedic film is kind of a difficult process, because, for most of the two years of shooting it and editing it and reshooting and all of that, it's not quite right. And it's only when you just at the end, you put the final polish on it, it becomes really funny again.
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Filming is like a long air journey: there's so much hanging around and boredom that they keep giving you food.
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As Daniel Levitin writes, our brain is a giant pattern detector. If we read something that coincides with what we already believe we're more likely to give it credence, while the opposite is not true.
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Your Mother was A Hamster and you Father Smelled of elder berries.
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Bureaucrats shouldn't be in charge of comedy.
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Who's ever going to write a film in which I get the girl? Me!
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The one thing I remember about Christmas was that my father used to take me out in a boat about ten miles offshore on Christmas Day, and I used to have to swim back. Extraordinary. It was a ritual. Mind you, that wasn't the hard part. The difficult bit was getting out of the sack.
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Either people walk round dressed as chickens or they listen to Beethoven.
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Basil Fawlty was an easy character for me. For some reason, portraying a mean, uptight, incompetent bully comes naturally to me.
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Sci-fi has never really been my bag. But I do believe in a lot of weird things these days, such as synchronicity. Quantum physics suggests it's possible, so why not?
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It's a plastic surgeon you need, not a doctor
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