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I made a decision back in 1978 that, in a trade off for money when I directed Halloween, I would have my name above the title in order to basically brand these movies my own.

John Carpenter

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John Carpenter
Age: 76
Born: 1948
Born: January 16
Actor
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Carthage
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John Howard Carpenter
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We've got the prettiest girls in the world here in Los Angeles and there's a great music scene. And I learned what I learned about cinema here in Los Angeles so it's always been really important to me as a city to live in and I love making movies about it.
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I'm always involved with casting my movies. I have final word on it.
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We all question our sanity. Everyone has had an experience of loss of control of something.
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What scares me is what scares you. We’re all afraid of the same things. That’s why horror is such a powerful genre. All you have to do is ask yourself what frightens you and you’ll know what frightens me.
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I've gone through various periods with superheroes. They work in the right hands, but they don't work in other hands. It's tricky. But any movie is tricky. It's impossible to say, 'This is what you do in any situation.
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Horror stories have always worked on film. It's where they work. That's where vampires and ghosts and UFOs are real. They're not particularly real in life, but they're real on the screen. It's the communal aspect of movie-watching.
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I don't watch my films. I've seen 'em enough after cutting them and putting the music on. I don't ever want to see them again.
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Way back in the '70s, I was approached to talk about the story I'd write for a Spider-Man movie. They also talked to me about Batman. I had to think about it, but that was way, way back when.
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I can play just about any keyboard but I can't read or write a note.
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I'm pretty happy with who I am. I like myself and what I'm doing. I don't need to be the world's greatest director or the most famous -- or the richest. I don't need to make a whole lot of great films. I can do my job and I can do it pretty well. This is the realization I've come to, later in life. It's called growing up.
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It's a very good time for horror. This business certainly has changed, but there's still room for serious horror films. Look at 28 Days Later, that's not a tongue-in-cheek picture.
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I just aim for basketball season to start. I don't really care about anything else in life.
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It [horror genre] never dies. It just keeps getting re­invented and it always will. Horror is a universal language we're all afraid. We're born afraid, we're all afraid of things: death, disfigurement, loss of a loved one. Everything that I'm afraid of, you're afraid of and vice versa. So everybody feels fear and suspense.
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Horror found me. I got into the movie business to make westerns.
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As a filmmaker, it's about surviving and lasting. So many talented people that I've known in my life - directors and writers - just haven't made it and haven't had a chance.
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Evil hiding among us is an ancient theme.
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Movies are pieces of film stuck together in a certain rhythm, an absolute beat, like a musical composition. The rhythm you create affects the audience.
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First of all, I was a wrestling fan when I was young. Even when I figured out what wrestling was, I was still a fan.
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Directing is all about storytelling. It's not about equipment, or anything else.
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When you have no money, you need invention.
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