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To accept whatever comes, regardless of the consequences, is to be unafraid.
John Cage
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John Cage
Age: 79 †
Born: 1912
Born: September 5
Died: 1992
Died: August 2
Composer
Illustrator
Music Theorist
Musician
Musicologist
Painter
Philosopher
Poet
University Teacher
Writer
LA
California
John Milton Cage Jr.
John Milton Cage
Jr.
John Milton
Jr. Cage
J. C.
Comes
Unafraid
Regardless
Consequences
Consequence
Accept
Courage
Accepting
Whatever
More quotes by John Cage
There will always be critics eager to fashion opinions for the lazy and incapable.
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The act of listening is in fact an act of composing.
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Music is edifying, for from time to time it sets the soul in operation.
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There was a German philosopher who is very well known, his name was Immanuel Kant, and he said there are two things that don’t have to mean anything, one is music and the other is laughter. Don’t have to mean anything that is, in order to give us deep pleasure.
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Out of the work comes the work.
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Music is a means of rapid transportation.
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One day when I was studying with Schoenberg, he pointed out the eraser on his pencil and said, 'This end is more important than the other.' After twenty years I learned to write directly in ink.
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Whether I make them or not, there are always sounds to be heard and all of them are excellent.
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The world, the real is not an object. It is a process.
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An error is simply a failure to adjust immediately from a preconception to an actuality.
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Art is whatever you can get away with.
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My favorite music is the music I haven't yet heard
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Don't try to create and analyze at the same time. They're different processes.
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Each moment presents what happens.
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A meal without mushrooms is like a day without rain.
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My favourite music is the music I haven't yet heard. I don't hear the music I write: I write in order to hear the music I haven't yet heard.
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In the nature of the use of chance operations is the belief that all answers answer all questions.
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The grand thing about the human mind is that it can turn its own tables and see meaninglessness as ultimate meaning.
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If this word music is sacred and reserved for eighteenth and nineteenth century instruments, we can substitute a more meaningful term: organization of sound.
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We need not destroy the past. It is gone.
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