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I do a lot of improvising on movies, actually.

John C. Reilly

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John C. Reilly
Age: 59
Born: 1965
Born: May 24
Actor
Character Actor
Film Actor
Film Producer
Screenwriter
Singer
Stage Actor
Television Actor
Voice Actor
Chicago
Illinois
John Christopher Reilly
Improvising
Movies
Actually

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Why people pick me for the roles that they do is a bit of a mystery.
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Unless you do the same thing, it's tough for stereotypes to stick. That said, whatever you've done that's most popular at a given moment is what people think you do.
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This is real human drama, we're not creating some amusement park ride for the summer. Even though the movie is really exciting to watch, it's got a real pathos behind it.
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If I'm committed to something really stupid, then I'm in a comedy.
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The truth is, when you're at the track, it was an interesting thing about stock car racing as a sport, is you almost get more out of it watching it on TV.
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Life is often confusing and sad, and I'm a big fan of the slap and the tickle, as they say.
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Movies are this thing that came into my life, and it still feels pretend in some way. I kind of do this thing, and I never really accepted this idea that I'm a film actor. That's what I do. I feel like I'm a theater actor that started doing films. Most people have never seen me in a play. They're fun, though.
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When I first joined SAG, there was another John Reilly. My dad was John Reilly, too, but growing up I was John John. Nobody in life calls me John C. It's more like, Hey you, Step Brother!
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I had [at school] my own little posse of people that all felt weird together so it wasn't so lonely.
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People say, 'Don't you get tired of people coming up to you all the time?' But what's wrong with strangers saying they love you?
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I just like surprising people. I never want to get to a place where people see that I am in a movie and they go see the movie and they expect a certain performance one way or the other. That is just inherently boring to me.
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For a while I had a blues band in L.A., but I realized I was too optimistic to play the blues. I did not have the misery in my heart that the blues required.
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I like working with people I know. It saves a lot of awkward conversations and getting-to-know-you kinda moments. You trust the people if you know them.
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I've never been someone who's been given work because of the way I look or because I have some box office appeal. I get work because people know I'm swinging as hard as I can, trying to connect, giving it my level best. I have a face for radio, but here I am doing what I do.
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You know, the truth is that us actors would all like to believe we re-invent the wheel, every time we play a character. But, we're human beings and our instruments are not violins, they are our bodies and our consciousness and our collective life experience.
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A lot of times, good improv is when both people, or however many people are in the scene, really have no idea what the next thing you're going to say is.
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Somehow that doesn't feel like a natural human thing to do, to go to those dark places, you have to kind of force yourself to do that. And comedy, it's like you're excited to get there in the morning every day.
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I like how pure the expression is in music. You can go straight to the heart of an audience rather than through their brain.
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God forbid you got seasick because there was no option to go back. So that really did force us to be a group.
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