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Black and white is much closer to the condition of dreaming. It links you to the subconscious and I think that was part of the great appeal of movies originally.. this strange otherness.

John Boorman

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John Boorman
Age: 91
Born: 1933
Born: January 18
Film Director
Film Producer
Filmmaker
Screenwriter
Television Director
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More quotes by John Boorman

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I'm trying to suggest a kind of Middle Earth, in Tolkien terms. It's a contiguous world it's like ours but different.
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The more extreme and the more expressed that passion is, the more unbearable does life seem without it. It reminds us that if passion dies or is denied, we are partly dead.
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Up until the middle to late '60s, it was a choice to film in black-and-white or color. But then television became so vital to a film's finance, and television won't show black-and-white. So that killed it off, really.
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The resistance to black-and-white is huge, in the way that you have to sell the film. It's difficult to distribute around the world.
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All the great legends are Templates for human behavior. I would define a myth as a story that has survived.
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I look at the story, I look at the idea and just try to think of it in terms of that whole body of myth and see where the characters fit in and what they ought to be doing-all those archetypes are there to play with.
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I was in Japan, and my assistant director had worked with Kurosawa. I used quite of number of Kurosawa's crew.
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Black-and-white gives you that sort of parallel world. Also, it's very close to the condition of dreaming, to the unconscious.
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When actors are being defensive and defending their position, that is when you get less than good acting.
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What we need is someone to abolish the House Of Lords, get rid of the Royal Family.
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I only storyboard scenes that require special effects, where it is necessary to communicate through pictures.
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