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The resistance to black-and-white is huge, in the way that you have to sell the film. It's difficult to distribute around the world.
John Boorman
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John Boorman
Age: 91
Born: 1933
Born: January 18
Film Director
Film Producer
Filmmaker
Screenwriter
Television Director
World
Sells
Huge
White
Difficult
Black
Film
Distribute
Around
Resistance
Way
Sell
More quotes by John Boorman
When actors are being defensive and defending their position, that is when you get less than good acting.
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I think most films are too predictable. They follow familiar patterns. I suppose audiences like to know where they stand but I like films that take me by surprise, take unexpected turns and twists.
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All the great legends are Templates for human behavior. I would define a myth as a story that has survived.
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I'm trying to suggest a kind of Middle Earth, in Tolkien terms. It's a contiguous world it's like ours but different.
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The more extreme and the more expressed that passion is, the more unbearable does life seem without it. It reminds us that if passion dies or is denied, we are partly dead.
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What we need is someone to abolish the House Of Lords, get rid of the Royal Family.
John Boorman
I was in Japan, and my assistant director had worked with Kurosawa. I used quite of number of Kurosawa's crew.
John Boorman
Movie-making is the process of turning money into light. All they have at the end of the day is images flickering on a wall.
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There are always forces at work in a society, which are really forces of censorship - either religious bodies or zealots who are always putting pressure on things, whether it's books or art or film.
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Black and white is much closer to the condition of dreaming. It links you to the subconscious and I think that was part of the great appeal of movies originally.. this strange otherness.
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I look at the story, I look at the idea and just try to think of it in terms of that whole body of myth and see where the characters fit in and what they ought to be doing-all those archetypes are there to play with.
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Black-and-white gives you that sort of parallel world. Also, it's very close to the condition of dreaming, to the unconscious.
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I only storyboard scenes that require special effects, where it is necessary to communicate through pictures.
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Up until the middle to late '60s, it was a choice to film in black-and-white or color. But then television became so vital to a film's finance, and television won't show black-and-white. So that killed it off, really.
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You can't get an actor to do something that is beyond his range, so you have to be aware of the range of the actor and, if necessary, alter the part to suit the actor.
John Boorman
