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The opposite of love is not to hate but to separate. If love and hate have something in common it is because, in both cases, their energy is that of bringing and holding together
John Berger
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John Berger
Age: 90 †
Born: 1926
Born: November 5
Died: 2017
Died: January 2
Art Critic
Art Historian
Author
Critic
Journalist
Novelist
Opinion Journalist
Painter
Poet
Screenwriter
Writer
Hackney
John Peter Berger
Together
Holding
Something
Separate
Love
Opposite
Opposites
Cases
Common
Hate
Energy
Bringing
More quotes by John Berger
Without ethics man has no future. This is to say mankind without them cannot be itself. Ethics determine choices and actions and suggest difficult priorities.
John Berger
When we read a story, we inhabit it. The covers of the book are like a roof and four walls.
John Berger
Malevich, Lissitsky, Kandinsky, Tatlin, Pevsner, Rodchenko... all believed in the social role of art... Their works were like hinged doors, connecting activity with activity. Art with engineering music with painting poetry with design fine art with propaganda photographs with typography diagrams with action the studio with the street.
John Berger
The collaboration which sometimes follows is seldom based on good will: usually on desire, rage, fear, pity or longing. The modern illusion concerning painting (which post-modernism has done nothing to correct) is that the artist is the creator. Rather he is a reciever. What seems like creaton is the act of giving form to what he has recieved.
John Berger
Compassion has no place in the natural order of the world which operates on the basis of necessity. Compassion opposes this order and is therefore best thought of as being in some way supernatural.
John Berger
The past is the one thing we are not prisoners of. We can do with the past exactly what we wish. What we can't do is to change its consequences.
John Berger
What any true painting touches is an absence - an absence of which without the painting, we might be unaware. And that would be our loss.
John Berger
The autobiographical doesn't interest me. I could think of few things less interesting than rooting about in my life.
John Berger
In the modern world, in which thousands of people are dying every hour as a consequence of politics, no writing anywhere can begin to be credible unless it is informed by political awareness and principles. Writers who have neither product utopian trash.
John Berger
Photography, because it stops the flow of life, is always flirting with death.
John Berger
Hair is associated with sexual power. With passion. The woman's sexual passion needs to be minimized, so that the spectator may feel that he has the monopoly on such passion
John Berger
'Fahrenheit 9/11' is astounding. Not so much as a film - although it is cunning and moving - but as an event.
John Berger
Protest and anger practically always derives from hope, and the shouting out against injustice is always in the hope of those injustices being somewhat corrected and a little more justice established.
John Berger
Do you know the legend about cicadas? They say they are the souls of poets who cannot keep quiet because, when they were alive, they never wrote the poems they wanted to.
John Berger
We who draw do so not only to make something observed visible to others, but also to accompany something invisible to its incalculable destination
John Berger
Never chain your dogs together with sausages. One must accustom one's self to be bored.
John Berger
If every event which occurred could be given a name, there would be no need for stories.
John Berger
All nationalisms are at heart deeply concerned with names: with the most immaterial and original human invention. Those who dismiss names as a detail have never been displaced but the peoples on the peripheries are always being displaced. That is why they insist upon their continuity - their links with their dead and the unborn.
John Berger
To be naked is to be oneself. To be nude is to be seen naked by others and yet not recognised for oneself.
John Berger
The extreme proposition on which Giacometti based all his mature work was that no reality... could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.
John Berger