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It is seeing which establishes our place in the surrounding world we explain that world with words, but words can never undo the fact that we are surrounded by it
John Berger
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John Berger
Age: 90 †
Born: 1926
Born: November 5
Died: 2017
Died: January 2
Art Critic
Art Historian
Author
Critic
Journalist
Novelist
Opinion Journalist
Painter
Poet
Screenwriter
Writer
Hackney
John Peter Berger
World
Surrounded
Explain
Seeing
Fact
Words
Facts
Establishes
Place
Undo
Never
Surrounding
More quotes by John Berger
The extreme proposition on which Giacometti based all his mature work was that no reality... could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.
John Berger
The relation between what we see and what we know is never settled. Each evening we see the sun set. We know that the earth is turning away from it. Yet the knowledge, the explanation, never quite fits the sight.
John Berger
All weddings are similar, but every marriage is different.
John Berger
[O]ften art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten. . . .
John Berger
What is saved in the cinema when it achieves art is a spontaneous continuity with all mankind. It is not an art of the princes or the bourgeoisie. It is popular and vagrant. In the sky of the cinema people learn what they might have been and discover what belongs to them apart from their single lives.
John Berger
One can say of language that it is potentially the only human home, the only dwelling place that cannot be hostile to man.
John Berger
All nationalisms are at heart deeply concerned with names: with the most immaterial and original human invention. Those who dismiss names as a detail have never been displaced but the peoples on the peripheries are always being displaced. That is why they insist upon their continuity - their links with their dead and the unborn.
John Berger
The autobiographical doesn't interest me. I could think of few things less interesting than rooting about in my life.
John Berger
If every event which occurred could be given a name, there would be no need for stories.
John Berger
The collaboration which sometimes follows is seldom based on good will: usually on desire, rage, fear, pity or longing. The modern illusion concerning painting (which post-modernism has done nothing to correct) is that the artist is the creator. Rather he is a reciever. What seems like creaton is the act of giving form to what he has recieved.
John Berger
Autobiography begins with a sense of being alone. It is an orphan form.
John Berger
Whenever the intensity of looking reaches a certain degree, one becomes aware of an equally intense energy coming towards one through the appearance of whatever it is one is scrutinizing.
John Berger
Hair is associated with sexual power. With passion. The woman's sexual passion needs to be minimized, so that the spectator may feel that he has the monopoly on such passion
John Berger
Drawing is a way of coming upon the connection between things, just like metaphor in poetry reconnects what has become separated.
John Berger
Between the experience of living a normal life at this moment on the planet and the public narratives being offered to give a sense to that life, the empty space, the gap, is enormous.
John Berger
In the modern world, in which thousands of people are dying every hour as a consequence of politics, no writing anywhere can begin to be credible unless it is informed by political awareness and principles. Writers who have neither product utopian trash.
John Berger
When we read a story, we inhabit it. The covers of the book are like a roof and four walls. What is to happen next will take place within the four walls of the story. And this is possible because the story's voice makes everything its own.
John Berger
The opposite of love is not to hate but to separate. If love and hate have something in common it is because, in both cases, their energy is that of bringing and holding together
John Berger
In the average European oil painting of the nude the principal protagonist is never painted. He is the spectator in front of the picture and he is presumed to be a man.
John Berger
My heart born naked was swaddled in lullabies. Later alone it wore poems for clothes. Like a shirt I carried on my back the poetry I had read. So I lived for half a century until wordlessly we met. From my shirt on the back of the chair I learn tonight how many years of learning by heart I waited for you.
John Berger