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The past is the one thing we are not prisoners of. We can do with the past exactly what we wish. What we can't do is to change its consequences.
John Berger
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John Berger
Age: 90 †
Born: 1926
Born: November 5
Died: 2017
Died: January 2
Art Critic
Art Historian
Author
Critic
Journalist
Novelist
Opinion Journalist
Painter
Poet
Screenwriter
Writer
Hackney
John Peter Berger
Change
Thing
Prisoners
Prisoner
Consequences
Consequence
Exactly
Wish
Past
More quotes by John Berger
The media network has its idols, but its principal idol is its own style which generates an aura of winning and leaves the rest in darkness. It recognizes neither pity nor pitilessness.
John Berger
To remain innocent may also be. to remain ignorant.
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To be naked is to be oneself. To be nude is to be seen naked by others and yet not recognised for oneself.
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If every event which occurred could be given a name, there would be no need for stories.
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Whenever the intensity of looking reaches a certain degree, one becomes aware of an equally intense energy coming towards one through the appearance of whatever it is one is scrutinizing.
John Berger
The human imagination... has great difficulty in living strictly within the confines of a materialist practice or philosophy. It dreams, like a dog in its basket, of hares in the open.
John Berger
Compassion has no place in the natural order of the world which operates on the basis of necessity. Compassion opposes this order and is therefore best thought of as being in some way supernatural.
John Berger
Glamour cannot exist without personal social envy being a common and widespread emotion.
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Drawing is a way of coming upon the connection between things, just like metaphor in poetry reconnects what has become separated.
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The animal has secrets which, unlike the secrets of caves, mountains, seas are specifically addressed to man.
John Berger
Autobiography begins with a sense of being alone. It is an orphan form.
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Never chain your dogs together with sausages. One must accustom one's self to be bored.
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Glamour cannot exist without personal social envy being a common and widespread emotion. The industrial society ... recognises nothing except the power to acquire ... No other kind of hope or satisfaction or pleasure can any longer be envisaged within the culture of capitalism.
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In the average European oil painting of the nude the principal protagonist is never painted. He is the spectator in front of the picture and he is presumed to be a man.
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'Fahrenheit 9/11' is astounding. Not so much as a film - although it is cunning and moving - but as an event.
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What any true painting touches is an absence - an absence of which without the painting, we might be unaware. And that would be our loss.
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My heart born naked was swaddled in lullabies. Later alone it wore poems for clothes. Like a shirt I carried on my back the poetry I had read. So I lived for half a century until wordlessly we met. From my shirt on the back of the chair I learn tonight how many years of learning by heart I waited for you.
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To be naked is to be oneself. To be nude is to be seen naked by others and yet not recognized for oneself. A naked body has to be seen as an object in order to become a nude. (The sight of it as an object stimulates the use of it as an object.) Nakedness reveals itself. Nudity is placed on display. To be naked is to be without disguises.
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The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich.
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History always constitutes the relation between a present and its past. Consequently fear of the present leads to mystification of the past
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