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We live in a dominant culture of ceaseless Departure and Progress that has so far lasted two or three centuries.
John Berger
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John Berger
Age: 90 †
Born: 1926
Born: November 5
Died: 2017
Died: January 2
Art Critic
Art Historian
Author
Critic
Journalist
Novelist
Opinion Journalist
Painter
Poet
Screenwriter
Writer
Hackney
John Peter Berger
Dominant
Centuries
Progress
Century
Culture
Three
Ceaseless
Two
Lasted
Live
Departure
More quotes by John Berger
All weddings are similar, but every marriage is different.
John Berger
Do you know the legend about cicadas? They say they are the souls of poets who cannot keep quiet because, when they were alive, they never wrote the poems they wanted to.
John Berger
If every event which occurred could be given a name, there would be no need for stories.
John Berger
The autobiographical doesn't interest me. I could think of few things less interesting than rooting about in my life.
John Berger
To remain innocent may also be. to remain ignorant.
John Berger
The past is the one thing we are not prisoners of. We can do with the past exactly what we wish. What we can't do is to change its consequences.
John Berger
When we read a story, we inhabit it. The covers of the book are like a roof and four walls.
John Berger
A photograph is a meeting place where the interests of the photographer, the photographed, the viewer and those who are using the photograph are often contradictory. These contradictions both hide and increase the natural ambiguity of the photographic image.
John Berger
Malevich, Lissitsky, Kandinsky, Tatlin, Pevsner, Rodchenko... all believed in the social role of art... Their works were like hinged doors, connecting activity with activity. Art with engineering music with painting poetry with design fine art with propaganda photographs with typography diagrams with action the studio with the street.
John Berger
[O]ften art has judged the judges, pleaded revenge to the innocent and shown to the future what the past suffered, so that it has never been forgotten. . . .
John Berger
The extreme proposition on which Giacometti based all his mature work was that no reality... could ever be shared. This is why he believed it impossible for a work to be finished. This is why the content of any work is not the nature of the figure or head portrayed but the incomplete history of him staring at it.
John Berger
The collaboration which sometimes follows is seldom based on good will: usually on desire, rage, fear, pity or longing. The modern illusion concerning painting (which post-modernism has done nothing to correct) is that the artist is the creator. Rather he is a reciever. What seems like creaton is the act of giving form to what he has recieved.
John Berger
The human imagination... has great difficulty in living strictly within the confines of a materialist practice or philosophy. It dreams, like a dog in its basket, of hares in the open.
John Berger
When he painted a road, the roadmakers were there in his imagination, when he painted the turned earth of a ploughed field, the gesture of the blade turning the earth was included in his own act. Whenever he looked he saw the labour of existence and this labour, recognised as such, was what constituted reality for him. (On Vincent Van Gogh)
John Berger
It can happen that a book, unlike its authors, grows younger as the years pass.
John Berger
In the average European oil painting of the nude the principal protagonist is never painted. He is the spectator in front of the picture and he is presumed to be a man.
John Berger
The true content of a photograph is invisible, for it derives from a play, not with form, but with time.
John Berger
Without ethics man has no future. This is to say mankind without them cannot be itself. Ethics determine choices and actions and suggest difficult priorities.
John Berger
If the public photograph contributes to a memory, it is to the memory of an unknowable and total stranger.
John Berger
The poverty of our century is unlike that of any other. It is not, as poverty was before, the result of natural scarcity, but of a set of priorities imposed upon the rest of the world by the rich.
John Berger
