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It is often pleasant to stone a martyr, no matter how much we may admire him.

John Barth

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John Barth
Age: 94
Born: 1930
Born: May 27
Novelist
University Teacher
Writer
Cambridge
Maryland
John Simmons Barth
May
Matter
Much
Martyr
Stone
Pleasant
Admire
Stones
Often

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To turn experience into speech - that is, to classify, to categorize, to conceptualize, to grammarize, to syntactify it - is always a betrayal of experience, a falsification of it but only so betrayed can it be dealt with at all, and only in so dealing with it did I ever feel a man, alive and kicking.
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He wishes he had never entered the funhouse. But he has. Then he wishes he were dead. But he's not. Therefore he will construct funhouses for others and be their secret operator -- though he would rather be among the lovers for whom funhouses are designed.
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The story of your life is not your life it's your story.
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More history is made by secret handshakes than by battles, bills and proclamations.
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One of the things I miss about teaching is that students would tell me what I ought to read. One of my students, back in the 1960s, put me onto Borges, and I remember another mentioning Flann O'Brien's At Swim Two-Birds in the same way.
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You’re probably wasting time on things like eating and sleeping. Cease that, and read all of philosophy and all of literature. Also art. Plus politics and a few other things. The history of everything.
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The first obligation of the writer is to be interesting. To be interesting not to change the world.
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Those rituals of getting ready to write produce a kind of trance state.
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If you are a novelist of a certain type of termperament, then what you really want to do is re-invent the world. God wasn't too bad a novelist except he was a Realist.
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Nothing is intrinsically valuable the value of everything is attributed to it, assigned to it from outside the thing itself, by people.
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Yet everyone begins in the same place how is it that most go along without difficulty but a few lose their way?
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Like an ox-cart driver in monsoon season or the skipper of a grounded ship, one must sometimes go forward by going back.
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Finally you begin to make your mistakes on the highest level-let's say the upper slopes of slippery Parnassus-and it's at that point you need coaching.
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I admire writers who can make complicated things simple, but my own talent has been to make simple things complicated.
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The horror of our history has purged me of opinions.
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If you would learn a thing, straightway declare yourself a professor of it!
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Nobody knew how to be what they were right.
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It's easier and sociabler to talk technique than it is to make art.
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not every boy thrown to the wolves becomes a hero.
John Barth