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And just as there are no words for the surface, that is, No words to say what it really is, that it is not Superficial but a visible core, then there is No way out of the problem of pathos vs. experience.
John Ashbery
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John Ashbery
Age: 90 †
Born: 1927
Born: July 28
Died: 2017
Died: September 3
Journalist
Poet
University Teacher
Writer
Rochester
New York
G'on Ashberi
John Ashberry
Jonas Barry
Jon Asshuberī
John Lawrence Ashbery
John Ashbery
Experience
Problem
Really
Pathos
Way
Superficial
Visible
Core
Surface
Words
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Where then shall hope and fear their objects find?
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There is the view that poetry should improve your life. I think people confuse it with the Salvation Army.
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All beauty, resonance, integrity, Exist by deprivation or logic Of strange position.
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Life is beautiful. He who reads that As in the window of some distant, speeding train Knows what he wants, and what will befall.
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It is written in the Book of Usable Minutes That all things have their center in their dying.
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Life is not at all what you might think it to be A simple tale where each thing has its history It's much more than its scuffle and anything goes Both evil and good, subject to the same laws.
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Reading is a pleasure, but to finish reading, to come to the blank space at the end, is also a pleasure.
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Extreme patience and persistence are required, Yet everybody succeeds at this before being handed The surprise box lunch of the rest of his life.
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The ellipse is as aimless as that, Stretching invisibly into the future so as to reappear In our present. Its flexing is its account, Return to the point of no return.
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The gray glaze of the past attacks all know-how...
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I'm heading for a clean-named place like Wisconsin, and mad as a jack-o'-lantern, will get there without help and nosy proclivities.
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The winter does what it can for its children.
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Death is a new office building filled with modern furniture, A wise thing, but which has no purpose for us.
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And we may be led, then, upward through more Powerful forms of poetry, past columns With peeling posters on them, to the country of indifference. Meanwhile if the swell diapasons, blooms Unhappily and too soon, the little people are nonetheless real.
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Things can harden meaningfully in the moment of indecision
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Part of the strength of Pollock and Rothko's art, in fact, is this doubt as to whether art may be there at all.
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Imagine a painter crucified by his subject!
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I tried each thing, only some were immortal and free.
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We are prisoners of the world's demented sink. The soft enchantments of our years of innocence Are harvested by accredited experience Our fondest memories soon turn to poison And only oblivion remains in season.
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In the increasingly convincing darkness The words become palpable, like a fruit That is too beautiful to eat.
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