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I'm heading for a clean-named place like Wisconsin, and mad as a jack-o'-lantern, will get there without help and nosy proclivities.
John Ashbery
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John Ashbery
Age: 90 †
Born: 1927
Born: July 28
Died: 2017
Died: September 3
Journalist
Poet
University Teacher
Writer
Rochester
New York
G'on Ashberi
John Ashberry
Jonas Barry
Jon Asshuberī
John Lawrence Ashbery
John Ashbery
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Wisconsin
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Clean
Lantern
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Lanterns
More quotes by John Ashbery
Some certified nut Will try to tell you it's poetry, (It's extraordinary, it makes a great deal of sense) But watch out or he'll start with some New notion or other.
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Death is a new office building filled with modern furniture, A wise thing, but which has no purpose for us.
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I tried each thing, only some were immortal and free.
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... the first step of the terrible journey toward feeling somebody should act, that ends in utter confusion and hopelessness, east of the sun and west of the moon.
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The summer demands and takes away too much. /But night, the reserved, the reticent, gives more than it takes
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We are prisoners of the world's demented sink. The soft enchantments of our years of innocence Are harvested by accredited experience Our fondest memories soon turn to poison And only oblivion remains in season.
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And just as there are no words for the surface, that is, No words to say what it really is, that it is not Superficial but a visible core, then there is No way out of the problem of pathos vs. experience.
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The soul is not a soul, Has no secret, is small, and it fits Its hollow perfectly: its room, our moment of attention.
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The winter does what it can for its children.
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A perfect example of the new republic's urge to drape itself with the togas of classical respectability.
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Sometimes a musical phrase would perfectly sum up The mood of a moment. One of those lovelorn sonatas For wind instruments was riding past on a solemn white horse. Everybody wondered who the new arrival was.
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And we may be led, then, upward through more Powerful forms of poetry, past columns With peeling posters on them, to the country of indifference. Meanwhile if the swell diapasons, blooms Unhappily and too soon, the little people are nonetheless real.
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Life is beautiful. He who reads that As in the window of some distant, speeding train Knows what he wants, and what will befall.
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What is the past, what is it all for? A mental sandwich?
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Imagine a painter crucified by his subject!
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Part of the strength of Pollock and Rothko's art, in fact, is this doubt as to whether art may be there at all.
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The gray glaze of the past attacks all know-how...
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You stupefied me. We waxed, Carnivores, late and alight In the beaded winter. All was ominous, luminous.
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The ellipse is as aimless as that, Stretching invisibly into the future so as to reappear In our present. Its flexing is its account, Return to the point of no return.
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Its a bit mad. Too bad, I mean, that getting to know each just for a fleeting second Must be replaced by unperfect knowledge of the featureless whole Like some pocket history of the world, so general As to constitute a sob or wail
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