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The soul is not a soul, Has no secret, is small, and it fits Its hollow perfectly: its room, our moment of attention.
John Ashbery
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John Ashbery
Age: 90 †
Born: 1927
Born: July 28
Died: 2017
Died: September 3
Journalist
Poet
University Teacher
Writer
Rochester
New York
G'on Ashberi
John Ashberry
Jonas Barry
Jon Asshuberī
John Lawrence Ashbery
John Ashbery
Rooms
Small
Secret
Attention
Fits
Moment
Hollow
Moments
Perfectly
Soul
Fit
Life
Room
More quotes by John Ashbery
The mind Is so hospitable, taking in everything Like boarders, and you don't see until It's all over how little there was to learn Once the stench of knowledge has dissipated.
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Where then shall hope and fear their objects find?
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Death is a new office building filled with modern furniture, A wise thing, but which has no purpose for us.
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The soul establishes itself. But how far can it swim out through the eyes And still return safely to its nest?
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The poem is sad because it wants to be yours, and cannot be.
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You stupefied me. We waxed, Carnivores, late and alight In the beaded winter. All was ominous, luminous.
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Reading is a pleasure, but to finish reading, to come to the blank space at the end, is also a pleasure.
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Not until it starts to stink does the inevitable happen.
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... the first step of the terrible journey toward feeling somebody should act, that ends in utter confusion and hopelessness, east of the sun and west of the moon.
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The sun fades like the spreading Of a peacock's tail, as though twilight Might be read as a warning to those desperate For easy solutions.
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Sometimes a musical phrase would perfectly sum up The mood of a moment. One of those lovelorn sonatas For wind instruments was riding past on a solemn white horse. Everybody wondered who the new arrival was.
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I tried each thing, only some were immortal and free.
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And the way Though discontinuous, and intermittent, sometimes Not heard of for years at a time, did, Nonetheless, move up, although, to his surprise It was inside the house, And always getting narrower.
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We are prisoners of the world's demented sink. The soft enchantments of our years of innocence Are harvested by accredited experience Our fondest memories soon turn to poison And only oblivion remains in season.
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The summer demands and takes away too much. /But night, the reserved, the reticent, gives more than it takes
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Part of the strength of Pollock and Rothko's art, in fact, is this doubt as to whether art may be there at all.
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To the poet as a basement quilt, but perhaps To some reader a latticework of regrets.
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Imagine a painter crucified by his subject!
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The winter does what it can for its children.
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What is the past, what is it all for? A mental sandwich?
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