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Quite apart from any conscious program, the great cultural historians have always been historical morphologists: seekers after theforms of life, thought, custom, knowledge, art.

Johan Huizinga

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Johan Huizinga
Age: 72 †
Born: 1872
Born: January 1
Died: 1945
Died: January 1
Cultural Historian
Historian
Linguist
Philosopher
Resistance Fighter
University Teacher
J. Huizinga
Huizinga
Always
Program
Historians
Life
Conscious
Seekers
Quite
Custom
Knowledge
Historian
History
Customs
Art
Cultural
Thought
Apart
Great
Historical

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Systematic philosophical and practical anti-intellectualism such as we are witnessing appears to be something truly novel in the history of human culture.
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Barbarisation may be defined as a cultural process whereby an attained condition of high value is gradually overrun and supersededby elements of lower quality.
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Every age yearns for a more beautiful world. The deeper the desperation and the depression about the confusing present, the more intense that yearning.
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A new culture can only grow up in the soil of a purged humanity.
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William James once said: Progress is a terrible thing. It is more than that: it is also a highly ambiguous notion. For who knowsbut that a little further on the way a bridge may not have collapsed or a crevice split the earth?
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People accept a representation in which the elements of wish and fantasy are purposely included but which nevertheless proclaims to represent the past and to serve as a guide-rule for life, thereby hopelessly confusing the spheres of knowledge and will.
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The second fundamental feature of culture is that all culture has an element of striving.
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Nelson's famous signal before the Battle of Trafalgar was not: England expects that every man will be a hero. It said: Englandexpects that every man will do his duty. In 1805 that was enough. It should still be.
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History can predict nothing except that great changes in human relationships will never come about in the form in which they have been anticipated.
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The content of the ideal is a desire to return to the perfection of an imaginary past.
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Science, unguided by a higher abstract principle, freely hands over its secrets to a vastly developed and commercially inspired technology, and the latter, even less restrained by a supreme culture saving principle, with the means of science creates all the instruments of power demanded from it by the organization of Might.
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All seemingly profound thinking which passes for realism, because it conveniently does away with all troublesome principles, has agreat attraction for the adolescent mind.
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An aristocratic culture does not advertise its emotions. In its forms of expression it is sober and reserved. Its general attitude is stoic.
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Whether the aim is in heaven or on earth, wisdom or wealth, the essential condition of its pursuit and attainment is always security and order.
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The art of watching has become mere skill at rapid apperception and understanding of continuously changing visual images. The younger generation has acquired this cinematic perception to an amazing degree.
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Do you know anything that in all its innocence is more humiliating than the funny pages of a Sunday newspaper in America?
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You can deny, if you like, nearly all abstractions: justice, beauty, truth, goodness, mind, God. You can deny seriousness, but not play.
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The awareness of the all-surpassing importance of social groups is now general property in America.
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A superstition which pretends to be scientific creates a much greater confusion of thought than one which contents itself with simple popular practices.
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History, as the study of the past, makes the coherence of what happened comprehensible by reducing events to a dramatic pattern and seeming them in a simple form.
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