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These are strange times. Reason, which once combatted faith and seemed to have conquered it, now has to look to faith to save it from dissolution.

Johan Huizinga

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Johan Huizinga
Age: 72 †
Born: 1872
Born: January 1
Died: 1945
Died: January 1
Cultural Historian
Historian
Linguist
Philosopher
Resistance Fighter
University Teacher
J. Huizinga
Huizinga
Times
Reason
Look
Dissolution
Looks
Conquered
Seemed
Save
Strange
Faith

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Culture must have its ultimate aim in the metaphysical or it will cease to be culture.
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Revolution as an ideal concept always preserves the essential content of the original thought: sudden and lasting betterment.
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You can deny, if you like, nearly all abstractions: justice, beauty, truth, goodness, mind, God. You can deny seriousness, but not play.
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Every age yearns for a more beautiful world. The deeper the desperation and the depression about the confusing present, the more intense that yearning.
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Barbarisation may be defined as a cultural process whereby an attained condition of high value is gradually overrun and supersededby elements of lower quality.
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The awareness of the all-surpassing importance of social groups is now general property in America.
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The new knowledge has not yet settled in culture. It has not yet been integrated in a new cosmic conception.
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A crude mind could easily think: something is valid, therefore it is true.
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The content of the ideal is a desire to return to the perfection of an imaginary past.
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Without metaphor the handling of general concepts such as culture and civilization becomes impossible, and that of disease and disorder is the obvious one for the case in point. Is not crisis itself a concept we owe to Hippocrates? In the social and cultural domain no metaphor is more apt than the pathological one.
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All seemingly profound thinking which passes for realism, because it conveniently does away with all troublesome principles, has agreat attraction for the adolescent mind.
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The art of watching has become mere skill at rapid apperception and understanding of continuously changing visual images. The younger generation has acquired this cinematic perception to an amazing degree.
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Play is older than culture, for culture, however inadequately defined, always presupposes human society, and animals have not waited for man to teach them their playing.
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A new culture can only grow up in the soil of a purged humanity.
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What the study of history and artistic creation have in common is a mode of forming images.
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Play is a uniquely adaptive act, not subordinate to some other adaptive act, but with a special function of its own in human experience.
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Science, unguided by a higher abstract principle, freely hands over its secrets to a vastly developed and commercially inspired technology, and the latter, even less restrained by a supreme culture saving principle, with the means of science creates all the instruments of power demanded from it by the organization of Might.
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Systematic philosophical and practical anti-intellectualism such as we are witnessing appears to be something truly novel in the history of human culture.
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Whether the aim is in heaven or on earth, wisdom or wealth, the essential condition of its pursuit and attainment is always security and order.
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