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The awareness of the all-surpassing importance of social groups is now general property in America.

Johan Huizinga

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Johan Huizinga
Age: 72 †
Born: 1872
Born: January 1
Died: 1945
Died: January 1
Cultural Historian
Historian
Linguist
Philosopher
Resistance Fighter
University Teacher
J. Huizinga
Huizinga
Groups
Social
America
Surpassing
Property
Importance
Awareness
General

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Play is older than culture, for culture, however inadequately defined, always presupposes human society, and animals have not waited for man to teach them their playing.
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Life is made too easy. Mankind's moral fibre is giving way under the softening influence of luxury.
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Play is a uniquely adaptive act, not subordinate to some other adaptive act, but with a special function of its own in human experience.
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Systematic philosophical and practical anti-intellectualism such as we are witnessing appears to be something truly novel in the history of human culture.
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William James once said: Progress is a terrible thing. It is more than that: it is also a highly ambiguous notion. For who knowsbut that a little further on the way a bridge may not have collapsed or a crevice split the earth?
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What the study of history and artistic creation have in common is a mode of forming images.
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All seemingly profound thinking which passes for realism, because it conveniently does away with all troublesome principles, has agreat attraction for the adolescent mind.
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The things which can make life enjoyable remain the same. They are, now as before, reading, music, fine arts, travel, the enjoyment of nature, sports, fashion, social vanity (knightly orders, honorary offices, gatherings) and the intoxication of the senses.
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Barbarisation may be defined as a cultural process whereby an attained condition of high value is gradually overrun and supersededby elements of lower quality.
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From whichever angle one looks at it, the application of racial theories remains a striking proof of the lowered demands of public opinion upon the purity of critical judgment.
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Quite apart from any conscious program, the great cultural historians have always been historical morphologists: seekers after theforms of life, thought, custom, knowledge, art.
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The art of watching has become mere skill at rapid apperception and understanding of continuously changing visual images. The younger generation has acquired this cinematic perception to an amazing degree.
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These are strange times. Reason, which once combatted faith and seemed to have conquered it, now has to look to faith to save it from dissolution.
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We have to transpose ourselves into this impressionability of mind, into this sensitivity to tears and spiritual repentance, intothis susceptibility, before we can judge how colorful and intensive life was then.
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People accept a representation in which the elements of wish and fantasy are purposely included but which nevertheless proclaims to represent the past and to serve as a guide-rule for life, thereby hopelessly confusing the spheres of knowledge and will.
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A new culture can only grow up in the soil of a purged humanity.
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Do you know anything that in all its innocence is more humiliating than the funny pages of a Sunday newspaper in America?
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The second fundamental feature of culture is that all culture has an element of striving.
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Without metaphor the handling of general concepts such as culture and civilization becomes impossible, and that of disease and disorder is the obvious one for the case in point. Is not crisis itself a concept we owe to Hippocrates? In the social and cultural domain no metaphor is more apt than the pathological one.
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History can predict nothing except that great changes in human relationships will never come about in the form in which they have been anticipated.
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