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Revolution as an ideal concept always preserves the essential content of the original thought: sudden and lasting betterment.

Johan Huizinga

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Johan Huizinga
Age: 72 †
Born: 1872
Born: January 1
Died: 1945
Died: January 1
Cultural Historian
Historian
Linguist
Philosopher
Resistance Fighter
University Teacher
J. Huizinga
Huizinga
Revolution
Concept
Thought
Originals
Always
Original
Aquariums
Content
Betterment
Essential
Preserves
Essentials
Sudden
Ideals
Lasting
Concepts
Ideal

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Barbarisation may be defined as a cultural process whereby an attained condition of high value is gradually overrun and supersededby elements of lower quality.
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The content of the ideal is a desire to return to the perfection of an imaginary past.
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The awareness of the all-surpassing importance of social groups is now general property in America.
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Systematic philosophical and practical anti-intellectualism such as we are witnessing appears to be something truly novel in the history of human culture.
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History, as the study of the past, makes the coherence of what happened comprehensible by reducing events to a dramatic pattern and seeming them in a simple form.
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Quite apart from any conscious program, the great cultural historians have always been historical morphologists: seekers after theforms of life, thought, custom, knowledge, art.
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Play is a uniquely adaptive act, not subordinate to some other adaptive act, but with a special function of its own in human experience.
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Without metaphor the handling of general concepts such as culture and civilization becomes impossible, and that of disease and disorder is the obvious one for the case in point. Is not crisis itself a concept we owe to Hippocrates? In the social and cultural domain no metaphor is more apt than the pathological one.
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The new knowledge has not yet settled in culture. It has not yet been integrated in a new cosmic conception.
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Do you know anything that in all its innocence is more humiliating than the funny pages of a Sunday newspaper in America?
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It is an evil world. The fires of hatred and violence burn fiercely. Evil is powerful, the devil covers a darkened earth with hisblack wings. And soon the end of the world is expected. But mankind does not repent, the church struggles, and the preachers and poets warn and lament in vain.
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We are living in a demented world. And we know it. It would not come as a surprise to anyone if tomorrow the madness gave way to afrenzy which would leave our poor Europe in a state of distracted stupor, with engines still turning and flags streaming in the breeze, but with the spirit gone.
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An aristocratic culture does not advertise its emotions. In its forms of expression it is sober and reserved. Its general attitude is stoic.
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History can predict nothing except that great changes in human relationships will never come about in the form in which they have been anticipated.
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Nelson's famous signal before the Battle of Trafalgar was not: England expects that every man will be a hero. It said: Englandexpects that every man will do his duty. In 1805 that was enough. It should still be.
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Culture arises and unfolds in and as play... culture itself bears the character of play.
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All seemingly profound thinking which passes for realism, because it conveniently does away with all troublesome principles, has agreat attraction for the adolescent mind.
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Culture must have its ultimate aim in the metaphysical or it will cease to be culture.
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A new culture can only grow up in the soil of a purged humanity.
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People accept a representation in which the elements of wish and fantasy are purposely included but which nevertheless proclaims to represent the past and to serve as a guide-rule for life, thereby hopelessly confusing the spheres of knowledge and will.
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