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An aristocratic culture does not advertise its emotions. In its forms of expression it is sober and reserved. Its general attitude is stoic.

Johan Huizinga

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Johan Huizinga
Age: 72 †
Born: 1872
Born: January 1
Died: 1945
Died: January 1
Cultural Historian
Historian
Linguist
Philosopher
Resistance Fighter
University Teacher
J. Huizinga
Huizinga
Culture
Reserved
Form
Sober
Doe
Emotions
Forms
General
Expression
Advertise
Emotion
Aristocratic
Attitude
Stoic

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A superstition which pretends to be scientific creates a much greater confusion of thought than one which contents itself with simple popular practices.
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Culture must have its ultimate aim in the metaphysical or it will cease to be culture.
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You can deny, if you like, nearly all abstractions: justice, beauty, truth, goodness, mind, God. You can deny seriousness, but not play.
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The second fundamental feature of culture is that all culture has an element of striving.
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The art of watching has become mere skill at rapid apperception and understanding of continuously changing visual images. The younger generation has acquired this cinematic perception to an amazing degree.
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From whichever angle one looks at it, the application of racial theories remains a striking proof of the lowered demands of public opinion upon the purity of critical judgment.
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All seemingly profound thinking which passes for realism, because it conveniently does away with all troublesome principles, has agreat attraction for the adolescent mind.
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These are strange times. Reason, which once combatted faith and seemed to have conquered it, now has to look to faith to save it from dissolution.
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William James once said: Progress is a terrible thing. It is more than that: it is also a highly ambiguous notion. For who knowsbut that a little further on the way a bridge may not have collapsed or a crevice split the earth?
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Life is made too easy. Mankind's moral fibre is giving way under the softening influence of luxury.
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The things which can make life enjoyable remain the same. They are, now as before, reading, music, fine arts, travel, the enjoyment of nature, sports, fashion, social vanity (knightly orders, honorary offices, gatherings) and the intoxication of the senses.
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People accept a representation in which the elements of wish and fantasy are purposely included but which nevertheless proclaims to represent the past and to serve as a guide-rule for life, thereby hopelessly confusing the spheres of knowledge and will.
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We have to transpose ourselves into this impressionability of mind, into this sensitivity to tears and spiritual repentance, intothis susceptibility, before we can judge how colorful and intensive life was then.
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Culture arises and unfolds in and as play... culture itself bears the character of play.
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Play is older than culture, for culture, however inadequately defined, always presupposes human society, and animals have not waited for man to teach them their playing.
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History can predict nothing except that great changes in human relationships will never come about in the form in which they have been anticipated.
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Revolution as an ideal concept always preserves the essential content of the original thought: sudden and lasting betterment.
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What the study of history and artistic creation have in common is a mode of forming images.
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A crude mind could easily think: something is valid, therefore it is true.
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Without metaphor the handling of general concepts such as culture and civilization becomes impossible, and that of disease and disorder is the obvious one for the case in point. Is not crisis itself a concept we owe to Hippocrates? In the social and cultural domain no metaphor is more apt than the pathological one.
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