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An aristocratic culture does not advertise its emotions. In its forms of expression it is sober and reserved. Its general attitude is stoic.

Johan Huizinga

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Johan Huizinga
Age: 72 †
Born: 1872
Born: January 1
Died: 1945
Died: January 1
Cultural Historian
Historian
Linguist
Philosopher
Resistance Fighter
University Teacher
J. Huizinga
Huizinga
Forms
General
Expression
Advertise
Emotion
Aristocratic
Attitude
Stoic
Culture
Reserved
Form
Sober
Doe
Emotions

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Play is a uniquely adaptive act, not subordinate to some other adaptive act, but with a special function of its own in human experience.
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These are strange times. Reason, which once combatted faith and seemed to have conquered it, now has to look to faith to save it from dissolution.
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A new culture can only grow up in the soil of a purged humanity.
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Culture arises and unfolds in and as play... culture itself bears the character of play.
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William James once said: Progress is a terrible thing. It is more than that: it is also a highly ambiguous notion. For who knowsbut that a little further on the way a bridge may not have collapsed or a crevice split the earth?
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Do you know anything that in all its innocence is more humiliating than the funny pages of a Sunday newspaper in America?
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Nelson's famous signal before the Battle of Trafalgar was not: England expects that every man will be a hero. It said: Englandexpects that every man will do his duty. In 1805 that was enough. It should still be.
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Revolution as an ideal concept always preserves the essential content of the original thought: sudden and lasting betterment.
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Systematic philosophical and practical anti-intellectualism such as we are witnessing appears to be something truly novel in the history of human culture.
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It is an evil world. The fires of hatred and violence burn fiercely. Evil is powerful, the devil covers a darkened earth with hisblack wings. And soon the end of the world is expected. But mankind does not repent, the church struggles, and the preachers and poets warn and lament in vain.
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Play is older than culture, for culture, however inadequately defined, always presupposes human society, and animals have not waited for man to teach them their playing.
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The new knowledge has not yet settled in culture. It has not yet been integrated in a new cosmic conception.
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Barbarisation may be defined as a cultural process whereby an attained condition of high value is gradually overrun and supersededby elements of lower quality.
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The art of watching has become mere skill at rapid apperception and understanding of continuously changing visual images. The younger generation has acquired this cinematic perception to an amazing degree.
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Science, unguided by a higher abstract principle, freely hands over its secrets to a vastly developed and commercially inspired technology, and the latter, even less restrained by a supreme culture saving principle, with the means of science creates all the instruments of power demanded from it by the organization of Might.
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You can deny, if you like, nearly all abstractions: justice, beauty, truth, goodness, mind, God. You can deny seriousness, but not play.
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A crude mind could easily think: something is valid, therefore it is true.
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A superstition which pretends to be scientific creates a much greater confusion of thought than one which contents itself with simple popular practices.
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Life is made too easy. Mankind's moral fibre is giving way under the softening influence of luxury.
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The content of the ideal is a desire to return to the perfection of an imaginary past.
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