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An aristocratic culture does not advertise its emotions. In its forms of expression it is sober and reserved. Its general attitude is stoic.

Johan Huizinga

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Johan Huizinga
Age: 72 †
Born: 1872
Born: January 1
Died: 1945
Died: January 1
Cultural Historian
Historian
Linguist
Philosopher
Resistance Fighter
University Teacher
J. Huizinga
Huizinga
Doe
Emotions
Forms
General
Expression
Advertise
Emotion
Aristocratic
Attitude
Stoic
Culture
Reserved
Form
Sober

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Without metaphor the handling of general concepts such as culture and civilization becomes impossible, and that of disease and disorder is the obvious one for the case in point. Is not crisis itself a concept we owe to Hippocrates? In the social and cultural domain no metaphor is more apt than the pathological one.
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A new culture can only grow up in the soil of a purged humanity.
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The second fundamental feature of culture is that all culture has an element of striving.
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Systematic philosophical and practical anti-intellectualism such as we are witnessing appears to be something truly novel in the history of human culture.
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Culture must have its ultimate aim in the metaphysical or it will cease to be culture.
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People accept a representation in which the elements of wish and fantasy are purposely included but which nevertheless proclaims to represent the past and to serve as a guide-rule for life, thereby hopelessly confusing the spheres of knowledge and will.
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History can predict nothing except that great changes in human relationships will never come about in the form in which they have been anticipated.
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You can deny, if you like, nearly all abstractions: justice, beauty, truth, goodness, mind, God. You can deny seriousness, but not play.
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Revolution as an ideal concept always preserves the essential content of the original thought: sudden and lasting betterment.
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These are strange times. Reason, which once combatted faith and seemed to have conquered it, now has to look to faith to save it from dissolution.
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Nelson's famous signal before the Battle of Trafalgar was not: England expects that every man will be a hero. It said: Englandexpects that every man will do his duty. In 1805 that was enough. It should still be.
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Play is a uniquely adaptive act, not subordinate to some other adaptive act, but with a special function of its own in human experience.
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Science, unguided by a higher abstract principle, freely hands over its secrets to a vastly developed and commercially inspired technology, and the latter, even less restrained by a supreme culture saving principle, with the means of science creates all the instruments of power demanded from it by the organization of Might.
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We are living in a demented world. And we know it. It would not come as a surprise to anyone if tomorrow the madness gave way to afrenzy which would leave our poor Europe in a state of distracted stupor, with engines still turning and flags streaming in the breeze, but with the spirit gone.
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History, as the study of the past, makes the coherence of what happened comprehensible by reducing events to a dramatic pattern and seeming them in a simple form.
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From whichever angle one looks at it, the application of racial theories remains a striking proof of the lowered demands of public opinion upon the purity of critical judgment.
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The content of the ideal is a desire to return to the perfection of an imaginary past.
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William James once said: Progress is a terrible thing. It is more than that: it is also a highly ambiguous notion. For who knowsbut that a little further on the way a bridge may not have collapsed or a crevice split the earth?
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Whether the aim is in heaven or on earth, wisdom or wealth, the essential condition of its pursuit and attainment is always security and order.
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