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Basically you want as many people as possible to see your movie.

Joel Edgerton

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Joel Edgerton
Age: 50
Born: 1974
Born: June 23
Actor
Film Actor
Film Director
Film Producer
Karateka
Screenwriter
Television Actor
Blacktown
New South Wales
Australia
Basically
Movie
Possible
Many
People

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The first video I ever watched was on a Beta system because everyone thought Beta was the way but then it ended up being video so we backed the wrong horse.
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It feels good to be fit and strong.
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I'm not going to allow myself to second-guess projects. I'm just going to do the ones that I fully love and believe in - that's a real privilege.
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The tricky thing becomes: Do you know yourself well enough to then portray that on screen? And for me, I find that really hard. I'd rather hide behind accents and funny walks.
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Everything is a learning process: any time you fall over, it's just teaching you to stand up the next time.
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To act with a tennis ball and imagine it's a tentacle, or if you're in some kind of wilderness film and you go, 'Okay, we can't have a grizzly bear here, but imagine when you step over the rock there there's a grizzly bear.' I don't know. They're tough moments.
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My brother and I are best friends.
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I remember my brother Nash had just directed me in 'The Square,' and I was sitting in Australia going: 'No one's called me about working for ages. I don't know if I'm ever going to get another job.
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That's one of the great privileges, being an actor, is that someone pays you and sends you off to learn about something that otherwise you'd never know about.
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The recipe for any character is always very interesting, as far as what doses of certain qualities you want.
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North America makes a ton of movies and there's a ton of movies that are exceptional.
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There's the pressure of being a No. 1 on the call sheet, being a lead actor. There's almost this feeling like being captain of the team. You want to put a bit of energy into actually setting a good example.
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I'm really good at judging and observing other people, but not myself.
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I'm single, footloose and fancy free, I have no responsibilities, no anchors. Work, friendship and self-improvement, that's me.
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The biggest difference for me is momentum. On a smaller film you get to shoot sometimes four or five scenes a day and you've got to do the tight schedule. I think I really feel the luxuries of a big budget film.
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It's tricky. I've never been standing at the top of the tree with tons of money thrown at me. I've never really had a profile. So in a way I have this 'nothing to lose' attitude.
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I can't sing or dance.
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Whenever you deal with science fiction you are setting up a world of rules. I think you work hard to establish the rules. And you also have to work even harder to maintain those rules, and within that find excitement and unpredictability and all that stuff.
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Every job leaves its residue, a bit of extra knowledge, a new skill-set.
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I have a lot of ideas that I feel are half-formed, or half-way okay.
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