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Cruelty might be very human and very cultural, but it is not acceptable and it is not an option.

Jodie Foster

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Jodie Foster
Age: 62
Born: 1962
Born: November 19
Actor
Actress
Character Actor
Executive Producer
Film Actor
Film Director
Film Producer
Television Actor
Television Producer
LA
California
Alicia Christian Foster
Cruelty
Cultural
Might
Human
Humans
Option
Acceptable

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Adolescence is a tough one to be a child actor.
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Being twenty-something is all about taking it in: eating it, drinking it, and spitting out the seeds later. It's about being fearless, and stupid, and dangerous, and unfocused, and abandoned. It's about being in it, not on top of it
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I make movies about people in spiritual crisis because it's a way for me to spend the time, the energy, the focus and the obsession to come to terms with my own spiritual crisis.
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It's very important to distinguish between chemical depression that requires medication and talk therapy.
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It's very hard for me to get a new car. It's really hard for me to get a new house. It's really hard for me to move on from the things that give me stability.
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I've got that Irish thing going on. Lots of Irish in my background.
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You guys might be surprised, but I am not Honey Boo Boo Child.
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Being understood is not the most essential thing in life.
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My kids are young and my life with them is really stimulating and really full and significant.
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As an actor, I'm attracted to drama as a director, it's humor - because it's the story of my life, and I can't be that serious about it. Being alone is a big theme in all my movies, both as a director and as an actress.
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My definition of a friend is somebody who adores you even though they know the things you're most ashamed of.
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But the reason I became, why I wanted to be in the business was because there was Midnight Cowboy.
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I didn't grow up really wanting to be an actor. I don't remember ever not being an actor.
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We think, If I have more money, I am more valuable. If I make more money, I am more valuable. It's all sort of wound up with this problem that humans have with their failure.
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Caitriona Balfe, who is Irish, is also in my movie. I asked her to play her Irish accent in the movie, but her own brogue is so faint that I had to keep pumping it up.
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I think Anna and the King is a look at Asia from the Asian perspective, reflecting the Asian experience, which is very rare.
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I don't have a burning desire to act strangely enough. I don't know that if I hadn't been an actor as a young person, I don't know that I ever would have chosen this because it's not really my personality.
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Look, it's terrible, I know, but weakness really, really bugs me, to the point that if there is a wounded bird on the sidewalk, I look at it and I go: I think I'll just kick it.
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Just to set the record straight, a salary for a given on-screen performance does not include the right to invade anyone’s privacy, to destroy someone’s sense of self.
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I can't imagine ever not doing [acting]. I would feel like I would have lost a limb. But I am older now, and sometimes I wonder who I would have been and what about me would have changed had I not had these experiences as a young person
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