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In high school, we studied a lot of poetical forms. I was really interested in the math that was involved and the strange live break ups. That gave me a great amount of respect for a rhymed stanza.
Joanna Newsom
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Joanna Newsom
Age: 42
Born: 1982
Born: January 18
Actor
Composer
Film Actor
Harpsichordist
Musician
Pianist
Recording Artist
Singer
Singer-Songwriter
Television Actor
Grass Valley
California
Joanna Caroline Newsom
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I have a deep rooted folk sensibility that I can't get away from completely.
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I give away CDs at shows if someone wants a CD but doesn't have any money. I wouldn't want to do that forever.
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If I ever met Dolly Parton for sure, I would just not be able to say anything. I love her.
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I am producing sounds that people are not used to hearing from the harp.
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You should listen to a lot of different music.
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I had known that people would probably have strange reactions to my voice, because I have kind of an unwieldy, difficult voice, but I never thought that anybody would have a problem with the harp. I just assumed... C'mon, it's a beautiful instrument.
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I have a voice that's obviously untrained - and I think untrainable - so I kind of secreted it away for a long time. Actually, I would write songs with lyrics when I was younger, but I would just sing in my head.
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I didn't really know a lot of the history when I was younger. I didn't realize that the harp is coded in such a specific way in musical circles. It's kind of this society instrument because of its history as a young woman's parlor instrument.
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Around eighth grade I decided I wanted to be a composer and that's what I went to college for. Just a few years back, I switched out of composition and into creative writing so I could work with words.
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I can't play my songs on the smaller harp. I have a Celtic harp. I can't do the key changes.
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Families of privilege and money would have harps in their parlors, and their cultured daughters would learn to play. It's got such a strange history. But that wasn't the context that I learned it in, so the inherent friction between that history and the more humanist folk-y history wasn't in my conscience at all.
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I have a lot of interest in interior rhyming not just rhyming at the end of the lines, but playing around with rhymes within the lines, playing with where the syllabic emphases in the sentences are, lining those up at strange moments in the line of the song. I’m not sure if that comes across or not.
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People in San Francisco and the East Bay have shown interest, done interviews, and have come to shows. I guess that the news travels fast out of this island that we are on.
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I recorded harp first or singing first. I recorded it all together. Part of the reason is that I don't know how to play the songs without also singing. I forget how they progress. I don't think that any of them are verse, chorus, verse, and so on. They are not simple.
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People are often afraid for me. They think that I am going to break. I can make it through a set.
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I wanted to write songs which I think is a different thing. I wanted to write music that is informed by folk music. The chord progressions are obvious references.
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