Quote

I feel the need of attaining the maximum of intensity with the minimum of means. It is this which has led me to give my painting a character of even greater bareness.

Joan Miro

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Joan Miro
Age: 90 †
Born: 1893
Born: January 1
Died: 1983
Died: December 25
Artist
Ceramicist
Designer
Graphic Artist
Lithographer
Painter
Postage Stamp Designer
Scenographer
Sculptor
Tapestry Designer
Barcelona
Spain
Joan Miró i Ferrà
Joan Mir
Z'uʼan Miro
Joan Miró Ferra
Joan Miro
Z'uán Miró
Joán Miró
Miluo
Joan Miró Ferrà
Joan Miro i Ferra
Joan Miro Ferra
Miro
Jean Miró
Feel
Intensity
Feels
Painting
Giving
Greater
Mean
Means
Needs
Art
Bareness
Even
Character
Attaining
Give
Maximum
Need
Minimum

More quotes by Joan Miro

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Painting or poetry is made as one makes love - a total embrace, prudence thrown to the winds, nothing held back.
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My way is to seize an image the moment it has formed in my mind, to trap it as a bird and to pin it at once to canvas. Afterward I start to tame it, to master it. I bring it under control and I develop it.
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The more I work, the more I want to work.
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I throw down the gauntlet to chance. For example, I prepare the ground for a picture by cleaning my brush over the canvas. Spilling a little turpentine can also be helpful.
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That which interests me above all else is the calligraphy of a tree or the tiles of a roof, and I mean leaf by leaf, branch by branch, blade by blade of grass.
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I make no distinction between poetry and painting.
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I want to assassinate painting.
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I begin painting and as I paint the picture begins to assert itself, or suggest itself, under my brush. The form becomes a sign for a woman or a bird as I work... The first stage is free, unconscious... the second stage is carefully calculated.
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I think of my studio as a vegetable garden, where things follow their natural course. They grow, they ripen. You have to graft. You have to water.
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For me, a picture should be like sparks. It must dazzle like the beauty of a woman or a poem. It must have radiance it must be like those stones which Pyrenean shepherds use to light their pipes.
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For me an object is something living. This cigarette or this box of matches contains a secret life much more intense than that of certain human beings.
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The more ignoble I find life, the more strongly I react by contradiction, in humour and in an outburst of liberty and expansion.
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Painting must be fertile. It must give birth to a world.. ..it must fertilize the imagination.
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Throughout the time in which I am working on a canvas I can feel how I am beginning to love it, with that love which is born of slow comprehension.
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I believe that to do anything in this world one needs a love for risk and adventure, and above all, to be able to do without what middle-class families call future.
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I begin my pictures under the effect of a shock which I feel and which makes me escape from reality... I need a point of departure, even if it's only a speck of dust or a flash of light.
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I try to apply colors like words that shape poems, like notes that shape music.
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The picture should be fecund. It must bring a world to birth.
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The spectacle of the sky overwhelms me. Im overwhelmed when I see, in an immense sky, the crescent of the moon, or the sun. There, in my pictures, tiny forms in huge empty spaces. Empty spaces, empty horizons, empty plains - everything which is bare has always greatly impressed me.
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When I stand before a canvas, I never know what I'll do, and I am the first one surprised at what comes out.
Joan Miro