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Something I've always known about the screen is that if it's anything in the world, it's literal. It's so literal that there's a whole lot you can't do because you're stuck with the literalness of the screen. The stage is not literal.
Joan Didion
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Joan Didion
Age: 90
Born: 1934
Born: December 5
Author
Essayist
Journalist
Novelist
Screenwriter
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Sacramento
California
Something
Literal
Always
Screen
World
Screens
Stuck
Stage
Known
Anything
Whole
More quotes by Joan Didion
You have to make sure you have the characters you want. That's really the most complicated part.
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Was it only by dreaming or writing that I could find out what I thought?
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I know something about dread myself, and appreciate the elaborate systems with which some people fill the void, appreciate all the opiates of the people, whether they are as accessible as alcohol and heroin and promiscuity or as hard to come by as faith in God or History.
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I don't think anybody feels like they're a good parent. Or if people think they're good parents, they ought to think again.
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Some of us who live in arid parts of the world think about water with a reverence others might find excessive.
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There's a point when you go with what you've got. Or you don't go.
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We forget all too soon the things we thought we could never forget.
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Anything worth having has its price.
Joan Didion
Writers are always selling somebody out.
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The secret point of money and power in America is neither the things that money can buy nor power for power's sake but absolute personal freedom, mobility, privacy.
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To assign unanswered letters their proper weight, to free us from the expectations of others, to give us back to ourselves--there lies the great, the singular power of self-respect. Without it, one eventually discovers the final turn of the screw: one runs away to find oneself, and finds no one at home.
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For however dutifully we record what we see around us, the common denominator of all we see is always, transparently, shamelessly, the implacable I.
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Memory fades, memory adjusts, memory conforms to what we think we remember.
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There is always a point in the writing of a piece when I sit in a room literally papered with false starts and cannot put one word after another and imagine that I have suffered a small stroke, leaving me apparently undamaged but actually aphasic.
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To shift the structure of a sentence alters the meaning of that sentence, as definitely and inflexibly as the position of a camera alters the meaning of the object photographed.
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I myself have always found that if I examine something, it's less scary. I grew up in the West, and we always had this theory that if you saw - if you kept the snake in your eye line, the snake wasn't going to bite you. And that's kind of the way I feel about confronting pain. I want to know where it is.
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Grief, when it comes, is nothing we expect it to be. Grief has no distance. Grief comes in waves, paroxysms, sudden apprehensions that weaken the knees and blind the eyes and obliterate the dailiness of life.
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I didn’t like it [computer] when I first began using it. Where it’s helped me a lot is in nonfiction which is a kind of different process. You’ve got research, you’ve got your notes, You can block out what you want to work on for the next 10 pages and put it in another file, and then you can kind of carve it into shape
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Why do you always have to be right. Why do you always have to have the last word. For once in your life just let it go.
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The willingness to accept responsibility for one's own life is the source from which self-respect springs.
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