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New York was no mere city. It was instead an infinitely romantic notion.
Joan Didion
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Joan Didion
Age: 89
Born: 1934
Born: December 5
Author
Essayist
Journalist
Novelist
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Sacramento
California
City
Instead
Cities
Infinitely
Romantic
Notion
Mere
York
More quotes by Joan Didion
It is hard for people who have not lived in Los Angeles to realize how radically the Santa Ana figures in the local imagination. ... The wind shows us how close to the edge we are.
Joan Didion
we are imperfect mortal beings, aware of that mortality even as we push it away, failed by our very complication, so wired that when we mourn our losses we also mourn, for better or for worse, ourselves. as we were. as we are no longer. as we will one day not be at all.
Joan Didion
Once I get over maybe a hundred pages, I won't go back to page one, but I might go back to page fifty-five, or twenty, even. But then every once in a while I feel the need to go to page one again and start rewriting.
Joan Didion
Grief, when it comes, is nothing like we expect it to be.
Joan Didion
Lancaster, California ... that promised land sometimes called 'the west coast of Iowa.
Joan Didion
Before I started working on a computer, writing a piece would be like making something up every day, taking the material and never quite knowing where you were going to go next with the material. With a computer it was less like painting and more like sculpture, where you start with a block of something and then start shaping it.
Joan Didion
I could talk more directly in a nonfiction voice than I could in fiction.
Joan Didion
If you want to understand what you're thinking, you kind of have to work it through and write it. And the only way to work it through, for me, is to write it.
Joan Didion
Information is control.
Joan Didion
On the August night in 1933 when General Gerardo Machado, then president of Cuba, flew out of Havana into exile, he took with him five revolvers, seven bags of gold, and five friends, still in their pajamas.
Joan Didion
We look for the sermon in the suicide, for the social or moral lesson in the murder of five. We interpret what we see, select the most workable of the multiple choices.
Joan Didion
Sometimes I'll be fifty, sixty pages into something and I'll still be calling a character X. I don't have a very clear idea of who the characters are until they start talking. Then I start to love them. By the time I finish the book, I love them so much that I want to stay with them. I don't want to leave them ever.
Joan Didion
A place belongs forever to whoever claims it hardest, remembers it most obsessively, wrenches it from itself, shapes it, renders it, loves it so radically that he remakes it in his own image.
Joan Didion
I use an IBM Thinkpad. I just use it like a typewriter, but when I started using it in 1987, I thought I won't be able to write anymore, so I thought I'd go back to the typewriter. But you couldn't go back to the typewriter after using the computer.
Joan Didion
Was there ever in anyone's life span a point free in time, devoid of memory, a night when choice was any more than the sum of all the choices gone before?
Joan Didion
There is always a point in the writing of a piece when I sit in a room literally papered with false starts and cannot put one word after another and imagine that I have suffered a small stroke, leaving me apparently undamaged but actually aphasic.
Joan Didion
The impulse for much writing is homesickness. You are trying to get back home, and in your writing you are invoking that home, so you are assuaging the homesickness.
Joan Didion
California is a place in which a boom mentality and a sense of Chekhovian loss meet in uneasy suspension in which the mind is troubled by some buried but ineradicable suspicion that things better work here, because here, beneath the immense bleached sky,is where we run out of continent.
Joan Didion
Some of us who live in arid parts of the world think about water with a reverence others might find excessive.
Joan Didion
Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.
Joan Didion
