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New York was no mere city. It was instead an infinitely romantic notion.
Joan Didion
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Joan Didion
Age: 89
Born: 1934
Born: December 5
Author
Essayist
Journalist
Novelist
Screenwriter
Writer
Sacramento
California
Infinitely
Romantic
Notion
Mere
York
City
Instead
Cities
More quotes by Joan Didion
Nothing I read about grief seemed to exactly express the craziness of it which was the interesting aspect of it to me - how really tenuous our sanity is.
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There is always a point in the writing of a piece when I sit in a room literally papered with false starts and cannot put one word after another and imagine that I have suffered a small stroke, leaving me apparently undamaged but actually aphasic.
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Let me tell you one thing about why writers write: had I known the answer to any of these questions I would never have needed to write a novel.
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I wanted to be an oceanographer, actually. It's a way of going underwater. I've always been interested in how deep it was, you know.
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[O]ne of the mixed blessings of being twenty and twenty-one and even twenty-three is the conviction that nothing like this, all evidence to the contrary notwithstanding, has ever happened before.
Joan Didion
Lancaster, California ... that promised land sometimes called 'the west coast of Iowa.
Joan Didion
You have to make sure you have the characters you want. That's really the most complicated part.
Joan Didion
I've never been keen on open adoption. It doesn't seem to solve the main problem with adoption, which is that somebody feels she was abandoned by someone else.
Joan Didion
I can't imagine writing if I didn't have a reader. Any more than an actor can imagine acting without an audience.
Joan Didion
To cure jealousy is to see it for what it is, a dissatisfaction with self.
Joan Didion
Once I get over maybe a hundred pages, I won't go back to page one, but I might go back to page fifty-five, or twenty, even. But then every once in a while I feel the need to go to page one again and start rewriting.
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I found earthquakes, even when I was in them, deeply satisfying, abruptly revealed evidence of the scheme in action. That the schemes could destroy the works of man might be a personal regret but remained, in the larger picture I had come to recognize, a matter of abiding indifference. No eye was on the sparrow. No eye was watching me.
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What's so hard about that first sentence is that you're stuck with it. Everything else is going to flow out of that sentence. And by the time you've laid down the first two sentences, your options are all gone.
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I know something about dread myself, and appreciate the elaborate systems with which some people fill the void, appreciate all the opiates of the people, whether they are as accessible as alcohol and heroin and promiscuity or as hard to come by as faith in God or History.
Joan Didion
Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.
Joan Didion
The wind shows us how close to the edge we are.
Joan Didion
Grief, when it comes, is nothing we expect it to be. Grief has no distance. Grief comes in waves, paroxysms, sudden apprehensions that weaken the knees and blind the eyes and obliterate the dailiness of life.
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We are the stories we tell ourselves
Joan Didion
There must be times when everybody writes when they feel they're evading writing.
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My writing is a process of rewriting, of going back and changing and filling in. in the rewriting process you discover what's going on, and you go back and bring it up to that point.
Joan Didion