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New York was no mere city. It was instead an infinitely romantic notion.
Joan Didion
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Joan Didion
Age: 89
Born: 1934
Born: December 5
Author
Essayist
Journalist
Novelist
Screenwriter
Writer
Sacramento
California
Cities
Infinitely
Romantic
Notion
Mere
York
City
Instead
More quotes by Joan Didion
Tuesday, September 11, 2001, dawned temperate and nearly cloudless in the eastern United States.
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Memory fades, memory adjusts, memory conforms to what we think we remember.
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What's so hard about that first sentence is that you're stuck with it. Everything else is going to flow out of that sentence. And by the time you've laid down the first two sentences, your options are all gone.
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New York is full of people . . . with a feeling for the tangential adventure, the risky adventure, the interlude that's not likely to end in any double-ring ceremony.
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I came into adult life equipped with an essentially romantic ethic.
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I was supposed to have a script, and had mislaid it. I was supposed to hear cues, and no longer did. I was meant to know the plot, but all I knew was what I saw: flash pictures in variable sequence, images with no 'meaning' beyond their temporary arrangement, not a movie but a cutting-room experience.
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A single person is missing for you, and the whole world is empty.
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Before I started working on a computer, writing a piece would be like making something up every day, taking the material and never quite knowing where you were going to go next with the material. With a computer it was less like painting and more like sculpture, where you start with a block of something and then start shaping it.
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We tell ourselves stories in order to live.
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Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.
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I've come to a much more controlled idea about death and loss, but I don't think it's possible to come to that much more controlled idea until you've gone through the crazy part . . . I don't mean that I'm controlled. I mean that I gave up the idea that I had control. That's the new control.
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You think you have some stable talent which will show no matter what you're writing, and if it doesn't seem to be getting across to the audience once, you can't imagine that moment when it suddenly will.
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California is a place in which a boom mentality and a sense of Chekhovian loss meet in uneasy suspension.
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The impulse for much writing is homesickness. You are trying to get back home, and in your writing you are invoking that home, so you are assuaging the homesickness.
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Writing fiction is for me a fraught business, an occasion of daily dread for at least the first half of the novel, and sometimes all the way through. The work process is totally different from writing nonfiction. You have to sit down every day and make it up.
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There's a lot of landscape I never would have described if I hadn't been homesick. The impulse was nostalgia.
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We are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not.
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I never had much interest in being a child. As a way of being it seemed flat, failed to engage.
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[O]ne of the mixed blessings of being twenty and twenty-one and even twenty-three is the conviction that nothing like this, all evidence to the contrary notwithstanding, has ever happened before.
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Grammar is a piano I play by ear.
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