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Once I get over maybe a hundred pages, I won't go back to page one, but I might go back to page fifty-five, or twenty, even. But then every once in a while I feel the need to go to page one again and start rewriting.

Joan Didion

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Joan Didion
Age: 90
Born: 1934
Born: December 5
Author
Essayist
Journalist
Novelist
Screenwriter
Writer
Sacramento
California
Might
Twenty
Need
Twenties
Feel
Pages
Feels
Hundred
Needs
Maybe
Even
Five
Rewriting
Every
Start
Fifty
Back
Page

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I didn’t like it [computer] when I first began using it. Where it’s helped me a lot is in nonfiction which is a kind of different process. You’ve got research, you’ve got your notes, You can block out what you want to work on for the next 10 pages and put it in another file, and then you can kind of carve it into shape
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We are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not.
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We imagine things — that we wouldn't be able to survive, but in fact, we do survive. ... We have no choice, so we do it.
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California: The west coast of Iowa.
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we are imperfect mortal beings, aware of that mortality even as we push it away, failed by our very complication, so wired that when we mourn our losses we also mourn, for better or for worse, ourselves. as we were. as we are no longer. as we will one day not be at all.
Joan Didion
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To have that sense of one's intrinsic worth which constitutes self-respect is potentially to have everything: the ability to discriminate, to love and to remain indifferent. To lack it is to be locked within oneself, paradoxically incapable of either love or indifference.
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Yes, but another writer I read in high school who just knocked me out was Theodore Dreiser. I read An American Tragedy all in one weekend and couldn't put it down - I locked myself in my room. Now that was antithetical to every other book I was reading at the time because Dreiser really had no style, but it was powerful.
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Information is control.
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Making judgments on films is in many ways so peculiarly vaporous an occupation that the only question is why, beyond the obvious opportunities for a few lectures fees and a little careerism at a dispiritingly self-limiting level, anyone does it in the first place.
Joan Didion
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There's a lot of landscape I never would have described if I hadn't been homesick. The impulse was nostalgia.
Joan Didion
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What does it cost to lose those weeks, that light, the very nights in the year preferred over all others? Can you evade the dying of the brightness? Or do you evade only its warning? Where are you left if you miss the message the blue nights bring?
Joan Didion
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I know what the fear is. The fear is not for what is lost. What is lost is already in the wall. What is lost is already behind the locked doors. The fear is for what is still to be lost.
Joan Didion
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I found earthquakes, even when I was in them, deeply satisfying, abruptly revealed evidence of the scheme in action. That the schemes could destroy the works of man might be a personal regret but remained, in the larger picture I had come to recognize, a matter of abiding indifference. No eye was on the sparrow. No eye was watching me.
Joan Didion
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Keepers of private notebooks are a different breed altogether, lonely and resistant rearrangers of things, anxious malcontents, children afflicted apparently at birth with some presentiment of loss.
Joan Didion
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I can't imagine writing if I didn't have a reader. Any more than an actor can imagine acting without an audience.
Joan Didion
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When I'm working on a book, I constantly retype my own sentences. Every day I go back to page one and just retype what I have. It gets me into a rhythm.
Joan Didion
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I don't know what I think until I write it down.
Joan Didion
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What you're normally doing as a writer is trying to find the narrative.
Joan Didion
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My own fantasies of what life would be like at 24 tended to the more spectacular.
Joan Didion
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Of course, you always think about how it will be read. I always aim for a reading in one sitting.
Joan Didion