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Tuesday, September 11, 2001, dawned temperate and nearly cloudless in the eastern United States.
Joan Didion
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Joan Didion
Age: 89
Born: 1934
Born: December 5
Author
Essayist
Journalist
Novelist
Screenwriter
Writer
Sacramento
California
Temperate
Tuesday
Eastern
September
Nearly
United
States
Cloudless
Dawned
More quotes by Joan Didion
Information is control.
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I'm totally in control of this tiny, tiny world right there at the typewriter.
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I know something about dread myself, and appreciate the elaborate systems with which some people fill the void, appreciate all the opiates of the people, whether they are as accessible as alcohol and heroin and promiscuity or as hard to come by as faith in God or History.
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I wanted to be an oceanographer, actually. It's a way of going underwater. I've always been interested in how deep it was, you know.
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Only the dying man can tell how much time he has left.
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When we start deceiving ourselves into thinking not that we want something... but that it is a moral imperative that we have it, that is when we join the fashionable madmen.
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The apparent ease of California life is an illusion, and those who believe the illusion will live here in only the most temporary way.
Joan Didion
[O]ne of the mixed blessings of being twenty and twenty-one and even twenty-three is the conviction that nothing like this, all evidence to the contrary notwithstanding, has ever happened before.
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Novels are like paintings, specifically watercolors. Every stroke you put down you have to go with. Of course you can rewrite, but the original strokes are still there in the texture of the thing.
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The impulse for much writing is homesickness. You are trying to get back home, and in your writing you are invoking that home, so you are assuaging the homesickness.
Joan Didion
We are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not.
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I myself have always found that if I examine something, it's less scary. I grew up in the West, and we always had this theory that if you saw - if you kept the snake in your eye line, the snake wasn't going to bite you. And that's kind of the way I feel about confronting pain. I want to know where it is.
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Grammar is a piano I play by ear.
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I hadn't thought that I was generally a pack rat, but it turns out I am.
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I found earthquakes, even when I was in them, deeply satisfying, abruptly revealed evidence of the scheme in action. That the schemes could destroy the works of man might be a personal regret but remained, in the larger picture I had come to recognize, a matter of abiding indifference. No eye was on the sparrow. No eye was watching me.
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Burroughs's voice is hard, derisive, inventive, free, funny, serious, poetic, indelibly American.
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We look for the sermon in the suicide, for the social or moral lesson in the murder of five. We interpret what we see, select the most workable of the multiple choices.
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I've never been keen on open adoption. It doesn't seem to solve the main problem with adoption, which is that somebody feels she was abandoned by someone else.
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I know what the fear is. The fear is not for what is lost. What is lost is already in the wall. What is lost is already behind the locked doors. The fear is for what is still to be lost.
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Something I've always known about the screen is that if it's anything in the world, it's literal. It's so literal that there's a whole lot you can't do because you're stuck with the literalness of the screen. The stage is not literal.
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