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We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images.

Joan Didion

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Joan Didion
Age: 89
Born: 1934
Born: December 5
Author
Essayist
Journalist
Novelist
Screenwriter
Writer
Sacramento
California
Live
Images
Narrative
Entirely
Writers
Line
Especially
Lines
Disparate
Upon
Imposition

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We all survive more than we think we can.
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Innocence ends when one is stripped of the delusion that one likes oneself.
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I use an IBM Thinkpad. I just use it like a typewriter, but when I started using it in 1987, I thought I won't be able to write anymore, so I thought I'd go back to the typewriter. But you couldn't go back to the typewriter after using the computer.
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You have to make sure you have the characters you want. That's really the most complicated part.
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Was there ever in anyone's life span a point free in time, devoid of memory, a night when choice was any more than the sum of all the choices gone before?
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To free us from the expectations of others, to give us back to ourselves - there lies the great, singular power of self-respect.
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To have that sense of one's intrinsic worth which constitutes self-respect is potentially to have everything: the ability to discriminate, to love and to remain indifferent. To lack it is to be locked within oneself, paradoxically incapable of either love or indifference.
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Information is control.
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Making judgments on films is in many ways so peculiarly vaporous an occupation that the only question is why, beyond the obvious opportunities for a few lectures fees and a little careerism at a dispiritingly self-limiting level, anyone does it in the first place.
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I lead a very conventional life.
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I didn’t like it [computer] when I first began using it. Where it’s helped me a lot is in nonfiction which is a kind of different process. You’ve got research, you’ve got your notes, You can block out what you want to work on for the next 10 pages and put it in another file, and then you can kind of carve it into shape
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Sometimes I'll be fifty, sixty pages into something and I'll still be calling a character X. I don't have a very clear idea of who the characters are until they start talking. Then I start to love them. By the time I finish the book, I love them so much that I want to stay with them. I don't want to leave them ever.
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You think you have some stable talent which will show no matter what you're writing, and if it doesn't seem to be getting across to the audience once, you can't imagine that moment when it suddenly will.
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A young woman with long hair and a short white halter dress walks through the casino at the Riviera in Las Vegas at one in the morning. It was precisely this moment that made Play It As It Lays begin to tell itself to me.
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Grammar is a piano I play by ear.
Joan Didion
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Something I've always known about the screen is that if it's anything in the world, it's literal. It's so literal that there's a whole lot you can't do because you're stuck with the literalness of the screen. The stage is not literal.
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To have that sense of one's intrinsic worth which constitutes self-respect is potentially to have everything.
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Sometimes an actor performs a character, but sometimes an actor just performs. With writing, I don't think it's performing a character, really, if the character you're performing is yourself. I don't see that as playing a role. It's just appearing in public.
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California is a place in which a boom mentality and a sense of Chekhovian loss meet in uneasy suspension in which the mind is troubled by some buried but ineradicable suspicion that things better work here, because here, beneath the immense bleached sky,is where we run out of continent.
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I wanted to be an oceanographer, actually. It's a way of going underwater. I've always been interested in how deep it was, you know.
Joan Didion