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Domesticity and all that isn't really for me.

Jimmy Page

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Jimmy Page
Age: 80
Born: 1944
Born: January 9
Composer
Guitarist
Musician
Record Producer
Songwriter
James Patrick Page
Jim Page
Domesticity
Really

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I have a voracious appetite for all things, worldly and unworldly.
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I'm still searching for an angel with a broken wing. It's not very easy to find them these days.
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There's always music that moves me. It doesn't necessarily mean that it's within the parenthesis of rock or blues, or whatever. It's usually far more reaching than that. It can be in many different genres.
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If you're working at the factory and you're cursing every day that you get up, at all costs get out of it. You'll just make yourself ill.
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You can't overthink the music. Mood and intensity can't be manufactured. The blues isn't about structure it's what you bring to it. The spontaneity of capturing a speciļ¬c moment is what drives it.
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But if you want me to knock Kingdom Come, all I will say is that I heard the guitarist said he'd never heard my playing, and I'd defy any guitarist in American not to have heard Led Zeppelin.
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Actually, I'm getting one made up with eight necks and I'm going to get a wheelwright to make a big rim around it and then I can do cartwheels off the stage.
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Every musician wants to do something which will hold up for a long time, and I guess we did it with 'Stairway to Heaven.'
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The element of change has been the thing, really. We put out the first one, then the second... then a third LP totally different from them. It's the reason we were able to keep it together.
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There will be a Led Zeppelin as long as there's a Jimmy Page, John Bonham, John Paul Jones and Robert Plant. This isn't a nostalgia band playing the hits forever. If anything ever happened and somebody left - which I really can't see happening - I don't think we'd bother to carry on. The magic for me is as it is now.
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My finger picking is sort of a cross between Pete Seeger, Earl Scruggs, and total incompetence.
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This week, I'm a gypsy. Maybe next week it'll be glitter rock.
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You can't buy time. Everything, for me, seems to be a race against time. Especially musically.
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Artists say that paintings are never done. I sort of feel the same way about music. I would never say something is perfect. There are performances that can generate a lot of emotion in me when I hear them, but I can't say if anything is perfect.
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There's so many different styles and facets of the 360-degree musical sphere to listen to. From tribal to classical music, it's all there. If the bottom was to sag out of that, for God's sake, help us all.
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My guitar style was developed during that 10-year period. That's me. That's the way I play, and I don't wish to play any other way. Our own individual identities are firmly stamped on this album.
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Once I get onstage the tension explodes and I'm fine. I'm in another world - in a trance almost, doing what I love best, expressing myself through guitar.
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I had another idea of getting a traveling medicine wagon with a dropdown side and traveling around England. That might sound crazy to you, but over there it's so rural you can do it. Just drop down the side and play through big battery amps and mixers and it can all be as temporary or as permanent as I want it to be.
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My favorite guitar solo of all time was Elliot Randall's on `Reelin' In The Years'.
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The idea of a hypnotic riff as the prime mover of a piece of music has been around for a long time, whether you're talking about the Delta blues or music from Middle Eastern and African cultures.
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