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I guess the solo from 'Achilles Last Stand' is in the same tradition as the solo from 'Stairway to Heaven'...it is on that level to me.

Jimmy Page

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Jimmy Page
Age: 80
Born: 1944
Born: January 9
Composer
Guitarist
Musician
Record Producer
Songwriter
James Patrick Page
Jim Page
Lasts
Achilles
Last
Solo
Tradition
Guess
Level
Levels
Stand
Stairway
Heaven
Stairways

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The beauty of the band was you never knew what was going to come out next.
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All my houses are isolated. Many is the time I just stay home alone.
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Once I got a guitar that was relatively user-friendly, but not super-duper easy, I really came on as a guitarist, at that point. It helped. It was a super-expensive guitar either, but something needs to steer you a bit, if you're playing an instrument that is really hard.
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There's music that can affect people in their lives, and they will always relate to the point that they heard it and experienced it, either if you're playing it or you're receptive, as an audience.
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There's so many different styles and facets of the 360-degree musical sphere to listen to. From tribal to classical music, it's all there. If the bottom was to sag out of that, for God's sake, help us all.
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My vocation is more in composition really than anything else - building up harmonies using the guitar, orchestrating the guitar like an army, a guitar army.
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Crowley didn't have a very high opinion of women, and I don't think he was wrong.
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I deal in emotions. It's the harmonic side that's important. That's the side I expected to be much further along on than I am now. That just means to say that I've got to keep at it.
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Let me explain something about guitar playing. Everyone's got their own character, and that's the thing that's amazed me about guitar playing since the day I first picked it up. Everyone's approach to what can come out of six strings is different from another person, but it's all valid.
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My finger picking is sort of a cross between Pete Seeger, Earl Scruggs, and total incompetence.
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If you're working at the factory and you're cursing every day that you get up, at all costs get out of it. You'll just make yourself ill.
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The idea of a hypnotic riff as the prime mover of a piece of music has been around for a long time, whether you're talking about the Delta blues or music from Middle Eastern and African cultures.
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I don't go walking into things blind.
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I'm at my best when I'm exhausted and under pressure.
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Once I get onstage the tension explodes and I'm fine. I'm in another world - in a trance almost, doing what I love best, expressing myself through guitar.
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I had another idea of getting a traveling medicine wagon with a dropdown side and traveling around England. That might sound crazy to you, but over there it's so rural you can do it. Just drop down the side and play through big battery amps and mixers and it can all be as temporary or as permanent as I want it to be.
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But to put out a greatest hits on one CD was totally impossible, I just couldn't do it. The best compromise was to put out two CDs - Early Days - which is what it is - and Latter Days.
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I think it's time to travel, start gathering some real right-in-there experiences with street musicians around the world.
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The element of change has been the thing, really. We put out the first one, then the second... then a third LP totally different from them. It's the reason we were able to keep it together.
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You can't overthink the music. Mood and intensity can't be manufactured. The blues isn't about structure it's what you bring to it. The spontaneity of capturing a speciļ¬c moment is what drives it.
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