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Morphology happens over time. It's not necessarily a bad thing.

Jimenez Lai

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Jimenez Lai
Age: 45
Born: 1979
Born: March 21
Architect
Comics Artist
Taizhong
Time
Morphology
Necessarily
Happens
Thing

More quotes by Jimenez Lai

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Architecture, in itself, at the end of the day, is a rational profession.
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The world is meaningless and therefore it's funny.
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Many artists I enjoy have a large body of work, and eventually the message is derived out from the sum of its parts.
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The idea of morphology of languages is something that I'm really interested in.
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What's interesting in archaeology is that we always understand other cultures by digging up their cities architecture is almost always a way for us to formulate a diagram of how people used to live.
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As a visual discourse, architecture requires trained individuals to work on the refined philosophical debates. School gave me the necessary training, and I've built on this based on my own aesthetics, as most do.
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Every time I traveled to a new city, I would learn about local heroes I did not know about, and I would learn about their very impressive contribution to their cities.
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The diagram of the house is a portrait of the family, a true portrait, whether it's sad or happy.
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The obsession was so real and so prolonged. Sleeping was kind of like taking breaks from continuing the obsession.
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In some cases there are ways of thinking about what an architectural program produces - interior and exterior - that is not necessarily directed by an economic requirement, but is a diagram based on human actions, selfish or otherwise.
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Setting up absurd worlds with rules to violate - it's one of the things I hope to achieve with my work.
Jimenez Lai
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It's important to write a mystery novel where the takeaway is not a giveaway - where something could be read over and over.
Jimenez Lai
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The dining room is a building the bathroom is a building. If we scatter this single-program architecture inside of a domestic environment, we can link an interior urbanism in a way similar to a village or a township of tiny houses.
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When I would present my work as a student, often I would hear, Your project is too formal - it's too form-based it's too form-driven. Which is kind of shocking for a visual practice, for someone to say something discouraging about a focus on an exploration of aesthetics.
Jimenez Lai