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I'm still trying to learn how to do it, I'm still trying to figure out how to make films, but, yeah, it started then [in 1979].

Jim Jarmusch

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Jim Jarmusch
Age: 71
Born: 1953
Born: January 22
Actor
Director
Film Director
Film Editor
Film Producer
Filmmaker
Screenwriter
Writer
Cuyahoga Falls
Ohio
James Roberto Jim Jarmusch
James Roberto Jarmusch
Learn
Film
Stills
Still
Figure
Trying
Yeah
Make
Films
Figures
Started

More quotes by Jim Jarmusch

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The beauty of life is in small details, not in big events.
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Everything is not laden with potential for drama in life.
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I thought The Limits of Control could be interpreted in two ways: as the limits of one's self-control and as the limits of allowing other people's control over one's - consciousness - which I kind of thought was a double meaning that was appropriate.
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If you have a counterculture band, you put a name on it, you call them beatniks, and you can sell something - books or bebop. Or you label them as hippies and you can sell tie-dyed T-shirts.
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Sometimes I make films about scenes other filmmakers would leave out, so I just make the film out of all the things they wouldn't put in. Poetry allows you to do this more than prose, for example.
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I didn't get the degree because in my last year, for my thesis film I made a feature called Permanent Vacation and they'd given me a scholarship, the Louis B Mayer fellowship and they made a mistake.
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Specific music starts feeding my imagination and gives me a landscape that corresponds somehow, in some abstract way, to the world I'm just starting to imagine.
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I think of poets as outlaw visionaries in a way.
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Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination.
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When I'm trying to imagine something, I have a few elements, a few ideas, maybe a certain actor or actress I want to create a certain type of character for, or maybe a certain place.
Jim Jarmusch
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A lot of poets too live on the margins of social acceptance, they certainly aren't in it for the money. William Blake - only his first book was legitimately published.
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The filmmaker Amos Poe was a huge inspiration for me by making guerrilla-style punk films on the streets of New York and - well, it's just a lot of painters and artists and filmmakers all within that scene, and it's very, very important to me.
Jim Jarmusch
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Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination Authenticity is invaluable originality is non-existent. And don’t bother concealing your thievery - celebrate it if you feel like it.
Jim Jarmusch
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It was a really interesting time in New York in the late 70s and early 80s, and the music scene was really, really interesting because you didn't have to be a virtuoso to make music, it was more about your desire to express things.
Jim Jarmusch
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When I left Ohio when I was 17 and ended up in New York and realised that not all films had the giant crab monsters in them, it really opened up a lot of things for me.
Jim Jarmusch
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When I studied with Nicholas Ray he was always telling us, If you want to make films, watch a lot of films, but don't just watch films, go take a walk, look at the sky, read a book about meteorology, look at the design of people's shoes. Because all of them are part of filmmaking. So I thought, perfect! That's a good job for me.
Jim Jarmusch
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Music just gives me so much energy and inspiration. Music and literature in a way probably influence me more than cinema does because they're different forms and yet related. I probably know as much about music history as I do about the history of cinema.
Jim Jarmusch
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Select only things to steal that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable originality is nonexistent
Jim Jarmusch
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Some people would find just the rhythm of my films alone to be a nightmare they'd probably just fall asleep because they want something quicker. Other people fall into it and it works for them like a dream.
Jim Jarmusch
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I love riding on a bus now because you're looking down on the world from not too high of an angle, but people on the street rarely look up into the bus. They're sort of oblivious to this big giant machine, you know, passing by. So there's something very beautiful about the angle that you look at the world through.
Jim Jarmusch