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I'm still trying to learn how to do it, I'm still trying to figure out how to make films, but, yeah, it started then [in 1979].

Jim Jarmusch

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Jim Jarmusch
Age: 71
Born: 1953
Born: January 22
Actor
Director
Film Director
Film Editor
Film Producer
Filmmaker
Screenwriter
Writer
Cuyahoga Falls
Ohio
James Roberto Jim Jarmusch
James Roberto Jarmusch
Make
Films
Figures
Started
Learn
Film
Stills
Still
Figure
Trying
Yeah

More quotes by Jim Jarmusch

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I've always loved films, always. I studied literature and I went to Columbia in New York and I went to Paris for part of one year and ended up staying there.
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My films have sort of amateur elements, a naive quality, yet they have some sophisticated quality, sometimes the rhythm is kinda elegant.
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Each one of us is a set of shifting molecules, spinning in ecstasy.
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A cult classic... both a celebration of the unlimited potential of the comic book form, and a perfect melding of inspiring, iconoclastic imaginations.
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Domesticity is a fact of how social structure works. So if you say, Well being domestic as a female is a negative trait, then that would be like saying, Having a family - because that's an economic unit designed to further the economic structures in the world - if you have a family then you're subjugated.
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Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination.
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In the words of the ancients, one should make his decision within the space of seven breaths. It is a matter of being determined and having the spirit to break through to the other side.
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I like to rehearse with the actors scenes that are not in the script and will not be in the film because what we're really doing is trying to establish their character, and good acting to me is about reacting.
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The filmmaker Amos Poe was a huge inspiration for me by making guerrilla-style punk films on the streets of New York and - well, it's just a lot of painters and artists and filmmakers all within that scene, and it's very, very important to me.
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I prefer to be subcultural rather than mass-cultural. I'm not interested in hitting the vein of the mainstream.
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Before she married my father, my mother was a film reviewer for The Akron Beacon Journal - a small newspaper.
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I think of poets as outlaw visionaries in a way.
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I know from the past, critics often say my films don't have any plot, that kind of thing. I'm used to being told, Yeah, it's slow and has no plot.
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I have to tell everyone that when I finish a film and it goes out and is released, I never look at my films again. I don't like looking back. I don't even like talking about 'em! So I'm really digging back in my memory because I don't like to sit and look at my films again.
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I like to work with actors that have varied experiences. But I don't choose them because of their experience, I choose them because of qualities I think would make an interesting character and to me there is no one way to direct actors, there is only one way to collaborate with one person.
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Stupid f***ing white man.
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If you have a counterculture band, you put a name on it, you call them beatniks, and you can sell something - books or bebop. Or you label them as hippies and you can sell tie-dyed T-shirts.
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The New York School poets are my godfathers creatively.
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A lot of poets too live on the margins of social acceptance, they certainly aren't in it for the money. William Blake - only his first book was legitimately published.
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A lot of innovation in language comes from poetry.
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