Quote

I thought The Limits of Control could be interpreted in two ways: as the limits of one's self-control and as the limits of allowing other people's control over one's - consciousness - which I kind of thought was a double meaning that was appropriate.

Jim Jarmusch

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Jim Jarmusch
Age: 71
Born: 1953
Born: January 22
Actor
Director
Film Director
Film Editor
Film Producer
Filmmaker
Screenwriter
Writer
Cuyahoga Falls
Ohio
James Roberto Jim Jarmusch
James Roberto Jarmusch
Consciousness
People
Control
Ways
Interpreted
Two
Double
Thought
Allowing
Self
Appropriate
Limits
Kind
Meaning
Way

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I think you can only be nostalgic for something you've lost.
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The beauty of a movie is that you walk in, you don't know anything about it, you enter a world that's new to you, and that's the magic of being transported.
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I've always loved films, always. I studied literature and I went to Columbia in New York and I went to Paris for part of one year and ended up staying there.
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You are the accumulations of your experiences at any given point. And when you express something those things come out. The thing is I hate seeing my films when I'm done with them, so I don't look back as a chart of my life, but I leave it as a kind of chart. Though, it is a photograph, captured.
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I'm not into killing living things, you know, but I'll always have guns.
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Stupid f***ing white man.
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For me, the music is always like the small rowboat I get into at the very beginning of my process.
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I have a real respect for tobacco as a substance, and it just seems very funny how the Western attitude is, Wow, people are addicted to this, think of all the money you can make off it.
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I'm still trying to learn how to do it, I'm still trying to figure out how to make films, but, yeah, it started then [in 1979].
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I love silent films. The future is unwritten.
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In the words of the ancients, one should make his decision within the space of seven breaths. It is a matter of being determined and having the spirit to break through to the other side.
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I didn't get the degree because in my last year, for my thesis film I made a feature called Permanent Vacation and they'd given me a scholarship, the Louis B Mayer fellowship and they made a mistake.
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A lot of innovation in language comes from poetry.
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I had this idea for a long time to make a film about a poet in Paterson named Patterson. I wanted him to be working class. Eventually I thought a bus was a perfect visual way to move him, to drift him through the city, to have a measured kind of routine lifestyle. And all these things kind of congealed into the film Paterson eventually.
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Select only things to steal that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable originality is nonexistent
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Everything is not laden with potential for drama in life.
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Film relates to almost every other form of expression, but poetry is a bit abstract in its strength and sometimes even the white spaces on the page are evocative almost as much as where the text is. Certain poets have played with that.
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If you have a counterculture band, you put a name on it, you call them beatniks, and you can sell something - books or bebop. Or you label them as hippies and you can sell tie-dyed T-shirts.
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I'm not overly analytical, and I don't set out to make something particularly.
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I wanted to make an Indian character who wasn't either a) the savage that must be eliminated, the force of nature that's blocking the way for industrial progress, or b) the noble innocent that knows all and is another cliche. I wanted him to be a complicated human being.
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