Quote

I thought The Limits of Control could be interpreted in two ways: as the limits of one's self-control and as the limits of allowing other people's control over one's - consciousness - which I kind of thought was a double meaning that was appropriate.

Jim Jarmusch

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Jim Jarmusch
Age: 71
Born: 1953
Born: January 22
Actor
Director
Film Director
Film Editor
Film Producer
Filmmaker
Screenwriter
Writer
Cuyahoga Falls
Ohio
James Roberto Jim Jarmusch
James Roberto Jarmusch
Thought
Allowing
Self
Appropriate
Kind
Limits
Way
Meaning
People
Consciousness
Control
Ways
Interpreted
Two
Double

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I wanted to make an Indian character who wasn't either a) the savage that must be eliminated, the force of nature that's blocking the way for industrial progress, or b) the noble innocent that knows all and is another cliche. I wanted him to be a complicated human being.
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America is a very venal place everything has to be sold there. You can repackage your own s**t and sell it if it is marketed in the right way. The motivation is to sell. It's so illogical and strange to me. It's such a disposable culture and yet I feel comfortable being American.
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Select only things to steal that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable originality is nonexistent
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The New York School poets are my godfathers creatively.
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If anyone tells you there is only one way, their way, get as far away from them as possible, both physically and philosophically.
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The filmmaker Amos Poe was a huge inspiration for me by making guerrilla-style punk films on the streets of New York and - well, it's just a lot of painters and artists and filmmakers all within that scene, and it's very, very important to me.
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When I studied with Nicholas Ray he was always telling us, If you want to make films, watch a lot of films, but don't just watch films, go take a walk, look at the sky, read a book about meteorology, look at the design of people's shoes. Because all of them are part of filmmaking. So I thought, perfect! That's a good job for me.
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Good acting is about reacting, not tryingto express something, but reacting to a situation as the character.I don't like acting acting.
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I prefer to be subcultural rather than mass-cultural. I'm not interested in hitting the vein of the mainstream.
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If you have a counterculture band, you put a name on it, you call them beatniks, and you can sell something - books or bebop. Or you label them as hippies and you can sell tie-dyed T-shirts.
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Everything is not laden with potential for drama in life.
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I'm not putting down anyone that does look at their work in that way, but for me I am a hardcore amateur.
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I never start with the story first, which is maybe obvious, because the narrative line of my films is really not that strong or dramatic. They're very simple.
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I'd wanted to be a writer and when I came back to New York worked as a musician too, but I found my writing starting to get more and more referential to cinema.
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Jim Jarmusch: Poets are always ahead of things in a certain way, their sense of language and their vision.
Jim Jarmusch
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When I left Ohio when I was 17 and ended up in New York and realised that not all films had the giant crab monsters in them, it really opened up a lot of things for me.
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Specific music starts feeding my imagination and gives me a landscape that corresponds somehow, in some abstract way, to the world I'm just starting to imagine.
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I'm not interested in stories. Stories are interesting but I don't think my head works that way. I remember at age 10 I dreamt of making animated cartoons as loops, something you could just project on your wall and look at from time to time. Kind of, something to stare at, something that's always there.
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Stupid f***ing white man.
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I started working with friends of mine and that, to some degree, continues.
Jim Jarmusch