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When I left Ohio when I was 17 and ended up in New York and realised that not all films had the giant crab monsters in them, it really opened up a lot of things for me.

Jim Jarmusch

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Jim Jarmusch
Age: 71
Born: 1953
Born: January 22
Actor
Director
Film Director
Film Editor
Film Producer
Filmmaker
Screenwriter
Writer
Cuyahoga Falls
Ohio
James Roberto Jim Jarmusch
James Roberto Jarmusch
Films
Ohio
Left
Realised
Film
Giant
Really
Giants
Things
Opened
Ended
Monsters
Crab
York
Crabs

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The beauty of a movie is that you walk in, you don't know anything about it, you enter a world that's new to you, and that's the magic of being transported.
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America is a very venal place everything has to be sold there. You can repackage your own s**t and sell it if it is marketed in the right way. The motivation is to sell. It's so illogical and strange to me. It's such a disposable culture and yet I feel comfortable being American.
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Stupid f***ing white man.
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Sometimes I make films about scenes other filmmakers would leave out, so I just make the film out of all the things they wouldn't put in. Poetry allows you to do this more than prose, for example.
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I like to work with actors that have varied experiences. But I don't choose them because of their experience, I choose them because of qualities I think would make an interesting character and to me there is no one way to direct actors, there is only one way to collaborate with one person.
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I'm not into killing living things, you know, but I'll always have guns.
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Select only things to steal from that speak directly to your soul.
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Everything is not laden with potential for drama in life.
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[Kenneth Koch] taught us to be playful, to be very appreciative of other poets, to appreciate all forms of expression. He taught us to be experimental.
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Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination Authenticity is invaluable originality is non-existent. And don’t bother concealing your thievery - celebrate it if you feel like it.
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Jim Jarmusch: Poets are always ahead of things in a certain way, their sense of language and their vision.
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Now in the States if you look at the TV, you see the advertisements, the TV programmes, the pop videos, and the movies, they're all the same style. I think it's very condescending to the audience to assume they only have a three second attention span and so they don't leave anything on the screen for any longer. I don't understand that.
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I have a real respect for tobacco as a substance, and it just seems very funny how the Western attitude is, Wow, people are addicted to this, think of all the money you can make off it.
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A lot of innovation in language comes from poetry.
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I don't like American football. I think it's boring and ridiculous and predictable. But baseball is very beautiful. It's played on a diamond.
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I like all forms of movies. I'm a movie geek, so I watch all kinds of films, but - and I read all kinds of things, too. But the poetry that speaks to me the most directly will contain mundane things, will contain details.
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I've always loved films, always. I studied literature and I went to Columbia in New York and I went to Paris for part of one year and ended up staying there.
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I'm not putting down anyone that does look at their work in that way, but for me I am a hardcore amateur.
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The filmmaker Amos Poe was a huge inspiration for me by making guerrilla-style punk films on the streets of New York and - well, it's just a lot of painters and artists and filmmakers all within that scene, and it's very, very important to me.
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Some people would find just the rhythm of my films alone to be a nightmare they'd probably just fall asleep because they want something quicker. Other people fall into it and it works for them like a dream.
Jim Jarmusch