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The freedom I experienced as a dance major in college gave me so much, but the reality of being in school is that you are still forced to work under restrictions.
Jillian Hervey
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Jillian Hervey
Age: 35
Born: 1989
Born: June 19
Actor
Dancer
Singer
LA
California
Jillian Kristin Hervey
Forced
Stills
Majors
School
Major
Still
Dance
Work
Gave
Much
College
Restrictions
Freedom
Restriction
Experienced
Reality
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I think just being a '90s kid - I was not a Backstreet Boys girl, I was definitely into NSYNC.
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I quit piano and violin because it felt too rigid. It was just my thing, something I fell in love with from a very early age.
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Both of my mom's parents were music teachers, so I was hearing the fundamentals of playing the piano, what notes are, and all those things very early on.
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I think having wild, huge hair, is me being my own version of a lioness.
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As I got older, I started to do it more and more, and I wanted to learn all of the different types. I grew up doing modern, so I wanted to learn ballet, tap, jazz, and African - just everything.
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That experience of being in the wild in a place where life initially began for all creatures gave me a overwhelming sense of connection.
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I had been with a guy for seven years and I was done with that. I wanted to reinvent my whole life and change my hair - I'd had brown, straight extensions forever - and I just wanted to get rid of that, to shed skin, and really just be independent.
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This is what I love to do. I love to perform for people that get it or just want something interesting.
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I'm totally into the emotional aspect of things.
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I love the creation process [of music] of it and then sharing it, so I think that was the shift. I never thought I was going to be on a label in general, I was like 'Oh, I wouldn't do that,' and then we ended up on the same label basically.
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It was like I couldn't even begin to tell my mom I was singing. I didn't want anyone to think that she was trying to get me to sing. I wanted to prove to myself I could do it on my own. I really wanted to do a completely different thing.
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It's so important to embrace what you have because if you don't, that can be the root of very self-destructive habits, which I think people waste a lot of energy on.
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I would feel weird having someone style me. It would have to be a collaboration. I've had those experiences and every time it happens I don't feel good. What's the point of putting all this work into something and then when you present it, it's not you?
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I feel like my dad was the more artistic one, creating his own thing, loving to be around people, and all this stuff, doing exciting things, and my mom was more of the performer.
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I grew up as a dancer, and music and dance are so closely tied, that in ballet class you're listening to all this classical music, and in modern class you're working with a live drummer. It was something that always made me feel really comfortable and I've had a connection to since the beginning.
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What kind of art do I want to make? What do I stand for? What inspires me? And then to have people in return respond to that... I think that's the greatest thing because throughout dancing, I'm always looking for that.
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I think growing up, you just deal with 'I'm ugly,' or 'I don't look right,' or 'my hair is wrong,' and it's such a distraction from what can really elevate you.
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Even growing up, if I dealt with any pressure to be a certain way, I knew that as an artistic lane, dancing was the one that was a little more freed up - like no one in my family is really doing that, I can be that person.
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I got to speak to Missy Elliott on the phone and she was like, 'I see you and just keep doing your thing,' and to hear that was incredible.
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I was also just strong and quick - it wasn't hard for me to learn how to dance. I was a natural at it.
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