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I learned in grade-school that after WWII European politicians considered sending Jews to Madagascar instead of Palestine. At the time I thought: Madagascar would've been so great.

Jill Soloway

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Jill Soloway
Age: 59
Born: 1965
Born: September 26
Comedian
Comedy Writer
Film Director
Playwright
Screenwriter
Showrunner
Television Producer
Television Writer
Chicago
Illinois
Jill Soloway
Learned
Grades
Thought
Jews
School
European
Great
Jew
Would
Politicians
Madagascar
Time
Considered
Palestine
Politician
Sending
Instead
Grade

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I haven't made art about Israel. There's a covert subtext of Jewish identity in my artwork.
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There is a real comfort with the position of the victim, which can either result in true empathy or deep paranoia.
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If most of the reviewers are white cis men, if most of the distributors are white cis men, most of the executives in history have been white cis men. Most of the people who have been giving awards to people are people who've already been in the business - retired white cis men. They've been creating a body of narrative forever.
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One of the things that feels so challenging is how questioning Israel and the idea of a Jewish state somehow opens the door for other sorts of questions - and wounds.
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That was something that I learned from Alan Ball from “Six Feet Under. He didn”t really like to have too many pop culture references because they don”t really hold up after a few years.
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I've been told by people I respect that flashbacks only work if they have their own narrative, but they can't be part of the present narrative.
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It will feel boring when you're bingeing.
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I think kids in general are much more capable of understanding the idea of being transgender than adults.
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In the little travel I've done to other countries, the Jews there embraced me saying, Come to our house, come and have Shabbat with us. Jews in the Diaspora. I didn't imagine an Israeli traveling to the U.S. would feel this intensity of a forced relationship.
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I have never wanted to claim I know what is best for Israel.
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There are multiple shows of record about a late-transitioning patriarch and how the kids are affected, and there are multiple narratives. That narrative on Keeping up with the Kardashians, the answer is, they're pretty much fine. It's the same sort of story we were telling which is, you know what? Everybody's okay.
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I said to my parents that I don't even know if there should be an Israel. And they were just so upset and hurt.
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I still see storytelling for men by men that is always reinforcing the male gaze.
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Someone will say to me, Oh that's so Jewish to interrupt. I say to myself, okay, is that code for you hate Jews? Or am I just being paranoid?
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My experience as a Jewish American has often been as a spectator of one-sided conversations, or more like monologues, about Israel, Jewish History, Jewish identity, etc. Although there are profound divisions amongst Jews on all of these topics there are not many opportunities for deep and thoughtful dialogue about them.
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I want women to be the subject, not the object.
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Fear of anti-Semitism almost is part of our religion. Throughout time Jewish people have experienced traumas that we relive in a lot of the things we celebrate.
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In my own work I am invested in art as a way to break through impasses, whether those impasses are personal, social, or political.
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I'd always have a sort of automatic urge to share what I'm doing with other people.
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When I write, I lose time. I'm happy in a way that I have a hard time finding in real life. The intimacy between my brain and my fingers and my computer... Yet knowing that that intimacy will find an audience... It's very satisfying. It's like having the safety of being alone with the ego reward of being known.
Jill Soloway