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I'm glad that Jewish kids are taught about the Holocaust and other stories in our history, but I wonder if there are ways that this information and narrative can be transmitted differently.

Jill Soloway

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Jill Soloway
Age: 59
Born: 1965
Born: September 26
Comedian
Comedy Writer
Film Director
Playwright
Screenwriter
Showrunner
Television Producer
Television Writer
Chicago
Illinois
Jill Soloway
Taught
Information
Ways
Transmitted
Wonder
Holocaust
History
Differently
Kids
Jewish
Stories
Narrative
Way
Glad

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One of the things that feels so challenging is how questioning Israel and the idea of a Jewish state somehow opens the door for other sorts of questions - and wounds.
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By recognizing your own vulnerability you can recognize and identify with the vulnerability in others.
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I still see storytelling for men by men that is always reinforcing the male gaze.
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In the little travel I've done to other countries, the Jews there embraced me saying, Come to our house, come and have Shabbat with us. Jews in the Diaspora. I didn't imagine an Israeli traveling to the U.S. would feel this intensity of a forced relationship.
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Because so many rooms are run by men they're just used to women being the that - to be adored and dreamed about.
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It will feel boring when you're bingeing.
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It's interesting to think about the history of Israel in relation to the history of the U.S.. There were Native Americans living here that U.S. settlers totally displaced, and that narrative is not connected with the Isreal-Palestinian struggle at all.
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When I write, I lose time. I'm happy in a way that I have a hard time finding in real life. The intimacy between my brain and my fingers and my computer... Yet knowing that that intimacy will find an audience... It's very satisfying. It's like having the safety of being alone with the ego reward of being known.
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In my own work I am invested in art as a way to break through impasses, whether those impasses are personal, social, or political.
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There is a real comfort with the position of the victim, which can either result in true empathy or deep paranoia.
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I'd always have a sort of automatic urge to share what I'm doing with other people.
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You have to totally change the way that society's structured in order to being to heal.
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As you grow and change, you become possibly someone else. You want to go back to your family of origin and say, ‘Do you still love me? Would you still love me if I become X or Y or Z? When will you stop loving me? Is this unconditional love and if not what are the conditions?’
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I haven't made art about Israel. There's a covert subtext of Jewish identity in my artwork.
Jill Soloway
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I remember learning about the Holocaust when I was in kindergarten and being terrified. I think we even watched a graphic video about it in Jewish day school. Although I was quite young, I remember making these vows to myself such as, I'm never going to love my country so much that I can't leave in a moment's notice.
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I'm like a bit of a feminist, I have kinds of highly political dreams. I'm a dreamer about taking on the patriarchy and all that kinda stuff. So I actually have the secret belief that there are enough people who would consider themselves quote-unquote other to support my particular taste.
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My experience as a Jewish American has often been as a spectator of one-sided conversations, or more like monologues, about Israel, Jewish History, Jewish identity, etc. Although there are profound divisions amongst Jews on all of these topics there are not many opportunities for deep and thoughtful dialogue about them.
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I think kids in general are much more capable of understanding the idea of being transgender than adults.
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Someone will say to me, Oh that's so Jewish to interrupt. I say to myself, okay, is that code for you hate Jews? Or am I just being paranoid?
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I want women to be the subject, not the object.
Jill Soloway