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A lot of my upbringing was about denying or fretting or evading.

Jhumpa Lahiri

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Jhumpa Lahiri
Age: 57
Born: 1967
Born: July 11
Academic
Actor
Author
Novelist
Screenwriter
University Teacher
Writer
London
England
Jūmpā Lāhīrī
Nilanjana Svadeshna Lahiri
Nilanjana Sudeshna Lahiri
Jhumba Lahiri
Evading
Fretting
Denying
Upbringing

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I don't know why, but the older I get the more interested I get in my parents' marriage. And it's interesting to be married yourself, too, because there is an inevitable comparison.
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The thought of Christmas overwhelms him. He no longer looks forward to the holiday he wants only to be on the other side of the season. His impatience makes him feel that he is incontrovertibly, finally, an adult.
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With children the clock is reset. We forget what came before
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If I stop to think about fans, or best-selling, or not best-selling, or good reviews, or not-good reviews, it just becomes too much. It's like staring at the mirror all day.
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Most people trusted in the future, assuming that their preferred version of it would unfold. Blindly planning for it, envisioning things that weren't the case. This was the working of the will. This was what gave the world purpose and direction. Not what was there but what was not.
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There were times Ruma felt closer to her mother in death than she had in life, an intimacy born simply of thinking of her so often, of missing her. But she knew that this was an illusion, a mirage, and that the distance between them was now infinite, unyielding.
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I am drawn to any story that makes me want to read from one sentence to the next. I have no other criterion.
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Do what I will never do.
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That the last two letters in her name were the first two in his, a silly thing he never mentioned to her but caused him to believe that they were bound together.
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It interests me to imagine characters shifting from one situation and one location to another for whatever the circumstances may be.
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Try to remember it always, he said once Gogol had reached him, leading him slowly back across the breakwater, to where his mother and Sonia stood waiting. Remember that you and I made this journey together to a place where there was nowhere left to go.
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My grandfather says that's what books are for, Ashoke said, using the opportunity to open the volume in his hands. To travel without moving an inch.
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She had listened to him, partly sympathetic, partly horrified. For it was one thing for her to reject her background, to be critical of her family's heritage, another to hear it from him.
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It is a magical thing for a handful of words, artfully arranged, to stop time. To conjure a place, a person, a situation, in all its specificity and dimensions. To affect us and alter us, as profoundly as real people and things do.
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Somehow, bad news, however ridden with static, however filled with echoes, always manages to be conveyed.
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Relationships do not preclude issues of morality.
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They were things for which it was impossible to prepare but which one spent a lifetime looking back at, trying to accept, interpret, comprehend. Things that should never have happened, that seemed out of place and wrong, these were what prevailed, what endured, in the end.
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In New York I was always so scared of saying that I wrote fiction. It just seemed like, 'Who am I to dare to do that thing here? The epicenter of publishing and writers?' I found all that very intimidating and avoided writing as a response.
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A bicultural upbringing is a rich but imperfect thing
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You remind me of everything that followed.
Jhumpa Lahiri