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A lot of my upbringing was about denying or fretting or evading.

Jhumpa Lahiri

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Jhumpa Lahiri
Age: 57
Born: 1967
Born: July 11
Academic
Actor
Author
Novelist
Screenwriter
University Teacher
Writer
London
England
Jūmpā Lāhīrī
Nilanjana Svadeshna Lahiri
Nilanjana Sudeshna Lahiri
Jhumba Lahiri
Denying
Upbringing
Evading
Fretting

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A writer has to true to him or herself. Period. That’s it!
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She watched his lips forming the words, at the same time she heard them under her skin, under her winter coat, so near and full of warmth that she felt herself go hot.
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And yet she could not forgive herself. Even as an adult, she wished only that she could go back and change things: the ungainly things she’d worn, the insecurity she’d felt, all the innocent mistakes she made.
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I am drawn to any story that makes me want to read from one sentence to the next. I have no other criterion.
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She learned that an act intended to express love could have nothing to do with it. That her heart and her body were different things.
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But she has gathered that Americans, in spite of their public declarations of affection, in spite of their miniskirts and bikinis, in spite of their hand-holding on the street and lying on top of each other on the Cambridge Common, prefer their privacy.
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You remind me of everything that followed.
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He owned an expensive camera that required thought before you pressed the shutter, and I quickly became his favorite subject, round-faced, missing teeth, my thick bangs in need of a trim. They are still the pictures of myself I like best, for they convey that confidence of youth I no longer possess, especially in front of a camera.
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Do what I will never do.
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With children the clock is reset. We forget what came before
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The first sentence of a book is a handshake, perhaps an embrace. Style and personality are irrelevant. They can be formal or casual. They can be tall or short or fat or thin. They can obey the rules or break them. But they need to contain a charge. A live current, which shocks and illuminates.
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Each day she removes a small portion of the unwanted things in people's lives, though all of it, she thinks, was previously wanted, once useful. She feels the sun scorching the back of her neck. The heat is at its worst now, the rains still a few months away. The task satisfies her. It passes the time.
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Writing is one of the most assertive things a person can do.
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I approach writing stories as a recorder. I think of my role as some kind of reporting device - recording and projecting.
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My grandfather says that's what books are for, Ashoke said, using the opportunity to open the volume in his hands. To travel without moving an inch.
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That's what books are for... to travel without moving an inch.
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I've seen novels that have grown out of one story in a collection. But it hasn't occurred to me to take any of those stories and build on them. They seem very finished for me, so I don't feel like going back and dredging them up.
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Relationships do not preclude issues of morality.
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She had listened to him, partly sympathetic, partly horrified. For it was one thing for her to reject her background, to be critical of her family's heritage, another to hear it from him.
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The knowledge of death seemed present in both sisters-it was something about the way they carried themselves, something that had broken too son and had not mended, marking them in spite of their lightheartedness.
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