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The knowledge of death seemed present in both sisters-it was something about the way they carried themselves, something that had broken too son and had not mended, marking them in spite of their lightheartedness.
Jhumpa Lahiri
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Jhumpa Lahiri
Age: 57
Born: 1967
Born: July 11
Academic
Actor
Author
Novelist
Screenwriter
University Teacher
Writer
London
England
Jūmpā Lāhīrī
Nilanjana Svadeshna Lahiri
Nilanjana Sudeshna Lahiri
Jhumba Lahiri
Death
Sisters
Something
Carried
Way
Spite
Seemed
Son
Broken
Present
Mended
Knowledge
Marking
More quotes by Jhumpa Lahiri
I approach writing stories as a recorder. I think of my role as some kind of reporting device - recording and projecting.
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The first sentence of a book is a handshake, perhaps an embrace. Style and personality are irrelevant. They can be formal or casual. They can be tall or short or fat or thin. They can obey the rules or break them. But they need to contain a charge. A live current, which shocks and illuminates.
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It didn't matter that I wore clothes from Sears I was still different. I looked different. My name was different. I wanted to pull away from the things that marked my parents as being different.
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A bicultural upbringing is a rich but imperfect thing
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You remind me of everything that followed.
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You are still young, free.. Do yourself a favor. Before it's too late, without thinking too much about it first, pack a pillow and a blanket and see as much of the world as you can. You will not regret it. One day it will be too late.
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Somehow, bad news, however ridden with static, however filled with echoes, always manages to be conveyed.
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Most people trusted in the future, assuming that their preferred version of it would unfold. Blindly planning for it, envisioning things that weren't the case. This was the working of the will. This was what gave the world purpose and direction. Not what was there but what was not.
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My grandfather says that's what books are for, Ashoke said, using the opportunity to open the volume in his hands. To travel without moving an inch.
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If I stop to think about fans, or best-selling, or not best-selling, or good reviews, or not-good reviews, it just becomes too much. It's like staring at the mirror all day.
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She had listened to him, partly sympathetic, partly horrified. For it was one thing for her to reject her background, to be critical of her family's heritage, another to hear it from him.
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A lot of my upbringing was about denying or fretting or evading.
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In New York I was always so scared of saying that I wrote fiction. It just seemed like, 'Who am I to dare to do that thing here? The epicenter of publishing and writers?' I found all that very intimidating and avoided writing as a response.
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Being a writer means taking the leap from listening to saying 'Listen to me'.
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It interests me to imagine characters shifting from one situation and one location to another for whatever the circumstances may be.
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I am drawn to any story that makes me want to read from one sentence to the next. I have no other criterion.
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Each day she removes a small portion of the unwanted things in people's lives, though all of it, she thinks, was previously wanted, once useful. She feels the sun scorching the back of her neck. The heat is at its worst now, the rains still a few months away. The task satisfies her. It passes the time.
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She learned that an act intended to express love could have nothing to do with it. That her heart and her body were different things.
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It is a magical thing for a handful of words, artfully arranged, to stop time. To conjure a place, a person, a situation, in all its specificity and dimensions. To affect us and alter us, as profoundly as real people and things do.
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I've seen novels that have grown out of one story in a collection. But it hasn't occurred to me to take any of those stories and build on them. They seem very finished for me, so I don't feel like going back and dredging them up.
Jhumpa Lahiri
