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She had listened to him, partly sympathetic, partly horrified. For it was one thing for her to reject her background, to be critical of her family's heritage, another to hear it from him.

Jhumpa Lahiri

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Jhumpa Lahiri
Age: 57
Born: 1967
Born: July 11
Academic
Actor
Author
Novelist
Screenwriter
University Teacher
Writer
London
England
Jūmpā Lāhīrī
Nilanjana Svadeshna Lahiri
Nilanjana Sudeshna Lahiri
Jhumba Lahiri
Backgrounds
Horrified
Critical
Sympathetic
Hear
Partly
Family
Listened
Another
Reject
Thing
Rejects
Heritage
Background

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Try to remember it always, he said once Gogol had reached him, leading him slowly back across the breakwater, to where his mother and Sonia stood waiting. Remember that you and I made this journey together to a place where there was nowhere left to go.
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Somehow, bad news, however ridden with static, however filled with echoes, always manages to be conveyed.
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Relationships do not preclude issues of morality.
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I approach writing stories as a recorder. I think of my role as some kind of reporting device - recording and projecting.
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Isolation offered its own form of companionship
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A lot of my upbringing was about denying or fretting or evading.
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My parents had an arranged marriage, as did so many other people when I was growing up. My father came and had a life in the United States one way and my mother had a different one, and I was very aware of those things. I continue to wonder about it, and I will continue to write about it.
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It didn't matter that I wore clothes from Sears I was still different. I looked different. My name was different. I wanted to pull away from the things that marked my parents as being different.
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You remind me of everything that followed.
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A bicultural upbringing is a rich but imperfect thing
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But she has gathered that Americans, in spite of their public declarations of affection, in spite of their miniskirts and bikinis, in spite of their hand-holding on the street and lying on top of each other on the Cambridge Common, prefer their privacy.
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I would not send a first story anywhere. I would give myself time to write a number of stories.
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There were times Ruma felt closer to her mother in death than she had in life, an intimacy born simply of thinking of her so often, of missing her. But she knew that this was an illusion, a mirage, and that the distance between them was now infinite, unyielding.
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He owned an expensive camera that required thought before you pressed the shutter, and I quickly became his favorite subject, round-faced, missing teeth, my thick bangs in need of a trim. They are still the pictures of myself I like best, for they convey that confidence of youth I no longer possess, especially in front of a camera.
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It is a magical thing for a handful of words, artfully arranged, to stop time. To conjure a place, a person, a situation, in all its specificity and dimensions. To affect us and alter us, as profoundly as real people and things do.
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That's what books are for... to travel without moving an inch.
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Each day she removes a small portion of the unwanted things in people's lives, though all of it, she thinks, was previously wanted, once useful. She feels the sun scorching the back of her neck. The heat is at its worst now, the rains still a few months away. The task satisfies her. It passes the time.
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I've seen novels that have grown out of one story in a collection. But it hasn't occurred to me to take any of those stories and build on them. They seem very finished for me, so I don't feel like going back and dredging them up.
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If I stop to think about fans, or best-selling, or not best-selling, or good reviews, or not-good reviews, it just becomes too much. It's like staring at the mirror all day.
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