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She had listened to him, partly sympathetic, partly horrified. For it was one thing for her to reject her background, to be critical of her family's heritage, another to hear it from him.

Jhumpa Lahiri

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Jhumpa Lahiri
Age: 57
Born: 1967
Born: July 11
Academic
Actor
Author
Novelist
Screenwriter
University Teacher
Writer
London
England
Jūmpā Lāhīrī
Nilanjana Svadeshna Lahiri
Nilanjana Sudeshna Lahiri
Jhumba Lahiri
Hear
Partly
Family
Listened
Another
Reject
Thing
Rejects
Heritage
Background
Backgrounds
Horrified
Critical
Sympathetic

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That's what books are for... to travel without moving an inch.
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Isolation offered its own form of companionship
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War will bring the revolution revolution will stop the war.
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The knowledge of death seemed present in both sisters-it was something about the way they carried themselves, something that had broken too son and had not mended, marking them in spite of their lightheartedness.
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They were things for which it was impossible to prepare but which one spent a lifetime looking back at, trying to accept, interpret, comprehend. Things that should never have happened, that seemed out of place and wrong, these were what prevailed, what endured, in the end.
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Try to remember it always, he said once Gogol had reached him, leading him slowly back across the breakwater, to where his mother and Sonia stood waiting. Remember that you and I made this journey together to a place where there was nowhere left to go.
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I've seen novels that have grown out of one story in a collection. But it hasn't occurred to me to take any of those stories and build on them. They seem very finished for me, so I don't feel like going back and dredging them up.
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Most people trusted in the future, assuming that their preferred version of it would unfold. Blindly planning for it, envisioning things that weren't the case. This was the working of the will. This was what gave the world purpose and direction. Not what was there but what was not.
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Being a writer means taking the leap from listening to saying 'Listen to me'.
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And yet she could not forgive herself. Even as an adult, she wished only that she could go back and change things: the ungainly things she’d worn, the insecurity she’d felt, all the innocent mistakes she made.
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In New York I was always so scared of saying that I wrote fiction. It just seemed like, 'Who am I to dare to do that thing here? The epicenter of publishing and writers?' I found all that very intimidating and avoided writing as a response.
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A writer has to true to him or herself. Period. That’s it!
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Do what I will never do.
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Each day she removes a small portion of the unwanted things in people's lives, though all of it, she thinks, was previously wanted, once useful. She feels the sun scorching the back of her neck. The heat is at its worst now, the rains still a few months away. The task satisfies her. It passes the time.
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That the last two letters in her name were the first two in his, a silly thing he never mentioned to her but caused him to believe that they were bound together.
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Gogol is unaccustomed to this sort of talk at mealtimes, to the indulgent ritual of the lingering meal, and the pleasant aftermath of bottles and crumbs and empty glasses that clutter the table.
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My parents had an arranged marriage, as did so many other people when I was growing up. My father came and had a life in the United States one way and my mother had a different one, and I was very aware of those things. I continue to wonder about it, and I will continue to write about it.
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Writing is one of the most assertive things a person can do.
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I approach writing stories as a recorder. I think of my role as some kind of reporting device - recording and projecting.
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...that in spite of living in a mansion an American is not above wearing a pair of secondhand pants, bought for fifty cents.
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